The Elements of Psychology: A Text-bookSheldon, 1888 - 419 من الصفحات |
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عبارات ومصطلحات مألوفة
acquired action activity affect affirms Alexander Bain amnesia animal appetite association Auguste Comte body brain called cause color concept connection consciousness constitution Definition derived desire distinction distinguish doctrine Education elements emotion excited existence experience explain expression external facts faculties feeling Figure habit Hamilton Herbert Spencer Hermann Ulrici human ideas images Imagination Immanuel Kant impressions instinct Intellect involuntary Involuntary Memory judgments kind Latin laws laws of thought learner mental mind mode motive movements nature nerve nervous organism ness observe optic nerve pain perceive perception person Phantasy phenomena philosopher physical physiological pleasure possess present produce psychical Psychology reason REFERENCES regard reproduce result retina says sciousness Scotch Sect SECTION Self-consciousness sensations sense sense-impressions sense-organs Sense-perception Sensibility Sentience simply Sir William Hamilton soul soul's space Spencer theory things Thomas Reid thought tion truth unity volition voluntary word Young-Helmholtz theory
مقاطع مشهورة
الصفحة 44 - I took the man and set him in the chair, where I saw him as distinctly as if he had been before me in his own proper person — I may almost say more vividly. I looked from time to time at the imaginary figure, then worked with my pencil, then referred to the countenance, and so on, just as I should have done had the sitter been there. When I looked at the chair I saw the man.
الصفحة 64 - The real, red, bright being of the lip is there in a moment. But it is all outside ; no expression yet, no mind. Let us go a step farther with Warner, of fair Rosamond struck by Eleanor. " With that she dashed her on the lips So dyed double red ; Hard was the heart that gave the blow, Soft were those lips that bled.
الصفحة 206 - If you throw a handful of marbles on the floor, you will find it difficult to view at once more than six, or seven at most, without confusion ; but if you group them into twos, or threes, or fives, you can comprehend as many groups as you can units ; because the mind considers these groups only as units — it views them as wholes, and throws their parts out of consideration.
الصفحة 25 - It was when laying down his book, and passing into this hall, through which the moon was beginning to shine, that the individual of whom I speak saw, right before him, and in a standing posture, the exact representation of his departed friend whose recollection had been so strongly brought to his imagination. He stopped for a single moment, so as to notice the wonderful accuracy with which fancy had impressed upon the bodily eye the peculiarities of dress and posture of the illustrious poet. Sensible,...
الصفحة 64 - Alas, poor Yorick ! I knew him, Horatio : a fellow of infinite jest, of most excellent fancy : he hath borne me on his back a thousand times ; and now how abhorred in my imagination it is ! my gorge rises at it. Here hung those lips that I have kissed I know not how oft.
الصفحة 41 - ... 1. Illumination. — Is the image dim or fairly clear? Is its brightness comparable to that of the actual scene? " '2. Definition. — Are all the objects pretty well defined at the same time, or is the place of sharpest definition at any one moment more contracted than it is in a real scene? " '3. Colouring. — Are the colours of the china, of the toast, bread-crust, mustard, meat, parsley, or whatever may have been on the table, quite distinct and natural?
الصفحة 41 - On the other hand, when I spoke to persons whom I met in general society, I found an entirely different disposition to prevail. Many men and a yet larger number of women, and many boys and girls, declared that they habitually saw mental imagery, and that it was perfectly distinct to them and full of colour.
الصفحة 1 - For my part when I enter most intimately into what I call myself, I always stumble on some particular perception or other, of heat or cold, light or shade, love or hatred, pain or pleasure. I never can catch myself at any time without a perception, and never can observe anything but the perception.
الصفحة 115 - But when one particular species of event has always, in all instances, been conjoined with another, we make no longer any scruple of foretelling one upon the appearance of the other, and of employing that reasoning, which can alone assure us of any matter of fact or existence. We then call the one object, CAUSE ; the other, EFFECT.
الصفحة 159 - BLUSHING is the most peculiar and the most human of all expressions. Monkeys redden from passion, but it would require an overwhelming amount of evidence to make us believe that any animal could blush.