off on her gloomy swain. The backwards and forwards on the duchess accordingly informed him polished floor, snapping his fingers that the queen was passionately fond at each rapid pirouette, stamping of the saraband, and had often ex- his heel and pointing his toe as pressed a desire to see it danced by the figures of the saraband deone whose dignified deportment and manded. The performance over, he elastic figure were so admirably donned his cloak, and made his adapted to bring out the peculiar way back discreetly to the Palais characteristics of the spirited and Cardinal. No time was lost in restately dance, and that nothing would capitulating the farce to the court, gratify and flatter her more than to and the merriment that it provoked see his eminence yield to this fancy. may be readily imagined. But who It was necessary, she added, that he might laugh with impunity at Richeshould be dressed as a harlequin, in lieu ? The true motive of the order to bring out in all their perfec- unseemly burlesque to which he tion the picturesque points of the had lent himself was soon made dance. Richelieu bit at this outland- known to the hero, and terrible ish bait, and it was agreed on a given was the vengeance that awaited night he would roam to the Louvre, its authors. He bided awhile, and and disport himself in the aforesaid then began that series of calummanner for the edification of the nies and persecutions that poisoned queen, he being alone in one room, so many years of the young queen's while her majesty looked on at the life. Richelieu had insinuated himself performance from behind a screen in into the confidence of Louis XIII., an adjoining one; a musician, con- and his influence over him was cealed also from view, was to accomboundless. This tremendous weapon pany the performance on the violin. he used against the queen with cruel The duchess, who had not bargained ingenuity. He contrived to implifor her own share in the sport, took cate her in the odious and diabolical care not to be deprived of it, but conspiracy of the arch-traitor de stood beside the queen, peeping Chalais; accused her of having plotted through the screen, while the haughty to dethrone and murder the king, statesman, bedizened in the varie- with a view to putting Gaston d'Orgated costume of harlequin, "with léans, his brother, on the throne, and bells on his fingers, and bells on his marrying him. When Louis XIII. toes," and jingling from his comical brutally challenged his wife to vindifool's cate herself from the twofold criminal charge, she replied, with spirituelle disdain: "I had too little to gain by the exchange." It is more than probable that Louis never seriously suspected Anne of Austria of having had any share in the guilt laid to her charge by Richelieu; but the calumny did its work efficiently in another way: it cut at the root of her affection for her husband and of his trust in her-it chilled and alienated them for years. The Duchesse de Chevreuse, accused, with some show of cap, tripped it on the light fantastic toe. Mme. de Chevreuse describes the scene with the mischievous glee of a schoolboy: herself and the queen squeezing each other's hands, and terrified lest one explosive burst should betray them and suddenly cut short the performance; the musician convulsed in another corner, Scratching away frantically at his fiddle to drown the irrepressible laughter of the trio; while Richelieu, the proud, the grave, the vindictive and all-powerful Richelieu, capered truth, of having conspired with Gaston d'Orléans to dethrone the king, was exiled from France. Richelieu followed up the advantage of his first attack by accusing the queen of keeping up a correspondence with the enemies of the state. Anne, too proud to justify herself, imprudently paraded her contempt for Richelieu's malevolent intrigues by openly and on every occasion showing her love for her own family, at that time at war with France; expressions full of the warmth of natural affection were made a handle of by her enemies, construed into treason against the king and the state. The birth of Louis XIV. (1638) brought about a partial reconciliation between her and the husband who had insulted and treated her with systematic neglect. But Richelieu's sway remained unshaken to the end. It was entirely an intellectual sway; the heart had no share in it on either side. The minister hated the king, and the king hated the minister; their natures were essentially antagonistic, and mutual interest alone held them together. Louis, hearing that he was about to be freed from the bondage under which he had chafed so longthat the summons had come for Richelieu-went in haste to the Palais Cardinal to receive the adieux of the dying minister. The interview between them was short and utterly devoid of pathos; no shade of tenderness had entered into the bond that was about to be dissolved. The breaking up of it was simply a matter of business. The king left the death. chamber of the man to whom he owed all the glory of his reign, without a tear in his eye or a passing emotion in his heart, and paced the adjoining room with a steady step and satisfied air, while a smile, amounting at intervals to a suppressed laugh, was visible on his features. When all was over, and the signal came forth that Richelieu was no more, he exclaimed tranquilly: "Voilà un grand politique de mort!* (1642.) A few months later, he himself had joined the great politician in another world. Richelieu, whose more than royal munificence of state had roused the jealous susceptibilities of the king, atoned for it by bequeathing his beautiful palace, with its accumulated treasures of art and industry, to his unthankful master. Anne of Austria inaugurated her reign as regent by taking up her abode under the roof of the man who had been to the last day of his life her implacable enemy. Immediately after the death of Louis XIII., she came to the Palais Cardinal with the little king and his brother, the Duc d'Anjou. The theatre on which Richelieu had lavished so much taste and wealth was included in the bequest, though he had often expressed his intention of presenting it to the nation, and endowing it for the benefit of rising dramatic artists. Notwithstanding that Anne of Austria had good reason to execrate the cardinal for his injustice and malig nity to herself personally, she did full honor to his merits as a statesman; and years after his death, when at the zenith of her popularity as regent, she said once, looking up at a portrait of Richelieu which hung in the state-saloon of the Palais Cardinal: "Were that man alive now, he would be more powerful than ever." It was a generous and exhaustive tribute to the memory of those services which had consolidated the monarchy in France, and made her own position what it was. The name of Palais Cardinal, which, despite its equivocal grammar, was appropriate while Richelieu inhabited it, ceased to be so when it # " A great politician is dead!" passed into the possession of the crown. Anne was advised to change it, but refused to do so, at the solicitation of the Duchesse d'Aiguillon, who besought her to retain a name which so honorably associated Riche. lieu with the glorious reign of Louis XIII. Public opinion, however, prevailed before long, and the palace was henceforth by common consent designated as the Palais Royal. With its new name began a new era in its annals. Anne has been compared by some of her admirers and biographers to Blanche of Castille; but, while rendering full justice to the queenly qualities of the Austro-Spanish regent, we own that the comparison strikes us as being suggested rather by their circumstances than by the characters of the two queen-mothers who each played so remarkable a part in the history of their epochs. Blanche of Castille made it her first and paramount ambition to render her son worthy of that imperishable crown which awaited him in the Kingdom that is not of this world: Anne of Austria aimed at securing for hers the supremacy of earthly glory at making him a great and powerful king. In each case, as it mostly happens, the omnipotent mother's will worked out its own ideal. The minority of the future Grand Monarque opened in troubled times; the elements of the Fronde were fermenting deep down under the apparently smooth surface, and the fêtes, and masquerades, and merry-making with which the regent celebrated her tardy accession to sovereign power were soon followed by more exciting events. Mazarin had succeeded to Richelieu-oily, pliant Mazarin, so zealous in his endeavors to keep well with all parties; flattering the ambitious hopes of Gaston d'Orléans, and laying himself out with elaborate zeal to please the regent and secure her confidence; yielding outwardly, with alluring grace, to every caprice of her soft despotic sway; and pulling dexterously the complicated strings of the malcontents, Condé, and Conti, and Longueville, and many other illustrious personages who chafed uneasily under the sceptre of the foreigner; benevolent and outspoken, but irreclaimably despotic. Mazarin, in his desire to please all parties whom it was of use to propitiate, and make money plentiful where it was needed for his purposes, had gone on taxing till he raised the devil in the then much enduring people. Everything was ready for an outbreak. The Te Deum after the victory of Lens gave the signal for it. It was a burning day in August, in the year 1648. The city had turned out to join in the jubilee, and, amidst the inspiriting chorus of trumpets, and cannons, and bells that sent exulting chimes from many belfries, such small matters as hunger and empty hearths and misery in its multiform moods and tenses were forgotten for a moment. But it needed only a touch to rouse the sleeping furies in the hearts of the hungry, rejoicing crowd. Broussel was seized by the troops, who had just played their part in the gay thanksgiving, and carried off to prison-Broussel, the venerable magistrate, the people's sturdy friend; who had fought their battles over and over again against mighty Mazarin himself; who had stood by them and upheld their rights in the teeth of the foreign queen and her foreign minister; Broussel, whom the people called notre père-were they going to see him seized by soldiers, and carried off before their eyes? No; they would stand by him as he had stood by them. The last notes of the Te Deum were still ringing over the city, when up leaped the shouts of revolution and the cry "To arms!" and chased away their holy echoes. The mob surrounded the carriage in which Broussel was placed, guarded on all sides by armed men; they were beaten back and trodden down; the people returned to the charge undaunted, and finally bore down on the Palais Royal, vociferating unmannerly threats, and demanding Broussel: "Give us Broussel, or we will burn down your house about you!"-pleasant sounds for the queen to hear beneath her windows! Anne of Austria had not foreseen this bursting up of the vulgar depths over which she had hitherto ridden in safe and scornful unconcern; nor, in all probability, had Mazarin. He was with the queen in that sumptuous apartment called the queen's boudoir, whose one broad window, mounted in a frame of massive silver wrought like a brooch, looked out upon the court; the regent paced the room in feverish excitement, her face flushed, her hands, alternately crossed on her breast with an air of stern resolve, moving in the animated and expressive play that was familiar to her; every now and then she would stand in the embrasure of the rich and cunningly carved window, and cast a glance of mingled scorn and defiance on the vociferous rabble below. They catch sight of her, and greet her with ominous signs and gestures. They see in her cool courage a taunt that rouses them to desperation. All unarmed as they are, except with stones and sticks and such like unmilitary weapons, they are ready to give battle to her troops. At this crisis, when the Fronde was born, a young man named Gondi starts to the surface, shooting up from the dark horizon like a glittering rocket. He is endowed with that peculiar kind of alcoholic eloquence which appears to be in all climes and ages the apanage of demagogues. Gondi had already made himself conspicuous as a dis contented spirit whom it would be well either to crush or to conciliate; and Mazarin would in all likelihood have adopted the latter plan but for the fact of his jealousy having been aroused by the queen's kindly notice of the young firebrand; he foresaw a possible rival in Gondi's ardor and talents, and forthwith decreed his ruin. Gondi was just now making himself popular by declaiming on the wrongs of the people, and denouncing the seizure of Broussel as iniquitous and tyrannical. There was some talk of sending a despatch to the re gent to demand his release; Mazarin caught at this opportunity of lowering Gondi in the estimation of the queen by placing him in the position of a leader of the Fronde, so he sent word to him indirectly to come to the Palais Royal and present the people's petition. Gondi, who saw in the mission an occasion for distinguishing himself with all parties, accepted it. He told the people that he undertook to ask, and pledged himself to obtain, the liberation of Broussel within an hour. They followed him with enthusiastic cheers to the Palais Royal, where he was admitted to the presence of the queen. She received him with flattering promptitude, unconscious of the motive of his visit. Anne was in no mood for compromises or conces sions; the rebellious attitude of her subjects had steeled her heart for the moment against the demands of clemency, and when Gondi, announcing himself the bearer of the demands of the people, asked for the liberation of the magistrate, her anger broke out into violence: "Give up Broussel!" she cried, with a sardonic laugh, "I will strangle him first with my own hands!” And clenching those beautiful little hands that have been sung by every poet of her day, she went close up to Gondi, and shook them in his face. The deputy, confounded, stood rooted to the spot, and uttered not a word; when Anne, abruptly turning away, said, with a quiet sarcasm the more chilling from its sudden contrast with her foregoing vehemence: "Go and rest, Monsieur de Gondi; you have worked hard." He left her presence, and carried his perplexity to Mazarin. But Mazarin, who had led him into the dilemma of playing false to the people and vexing the queen, coldly declined interfering, and bowed the unsuccessful diplomatist out. Gondi, betrayed and baffled, left the Palais Royal with an oath that the morrow would see him master of Paris. When a lad of eighteen, he had written an essay on the Conjuration de Fiesque, which drew from Richelieu the remark: "Voilà un esprit danger eux."* The day had come when the fiery young author was to fulfil this sagacious prophecy. The future Cardinal de Retz had entered the Palais Royal an ambitious courtier: he left it an infuriated frondeur. The next day Paris was bristling with barricades-its traditional mode of expressing its irritated feelings. This day, famous as la journée des barricades, saw Mathieu Molé appear in one of the finest attitudes that have marked his noble and honorable ca reer. While still young, Molé had risen to the brilliant and perilous position of Premier Président du Parlement de Paris by the mere force of talent and rigid integrity of character; he had never courted the patronage of a minister, nor accepted a favor from one; he had lent no base compliance to Richelieu's despotism or to Mazarin's more captivating rule; he had "This will be a dangerous spirit." remained the staunch friend of the heterodox Abbé de St. Cyran, holding faster by him in his disgrace and imprisonment than in the days of his transient popularity, persecuting Richelieu to obtain his pardon, dodg ing the inaccessible minister late and early, waylaying him in all possible and impossible places with the same persistent cry, "Give me back my friend St. Cyran," till at last Richelieu, worn out with his importunity, seized the president by the arm one day, and said: "This M. Molé is a worthy magistrate, but the most obstinate pleader in France," and gave him back his Abbé de St. Cyran. This was the man who was chosen to head a second embassy from the people to the Palais Royal. The regent was aware of his coming, and received him with cold civility; but her high spirit was slightly subdued since the preceding day; she had passed a sleepless night waiting for the events of the morrow, and was disposed to admit the possibility of coming to a compromise with her unruly citizens. Mathieu Molé was not an orator in the classical sense of the word, but he had that sort of eloquence that stirs the hearts of men. It achieved a vic tory, in the first place, over the angry mob by making them listen to reason and take a dispassionate view of their position, and now it gained an equally important one with the regent, inducing her to yield a reluctant consent to the liberation of Broussel. The barricades were lowered, and Paris gave a joyous welcome to its friend. But the blaze thus rashly kindled was not to be so quickly quenched. Anne of Austria eventually conquered both the Fronde and the less violent but equally dangerous pretensions of Mazarin, who, succumbing with a fairly good grace before the indomitable courage and inflexible firmness of the regent, re |