PortraitureReaktion Books, 15/05/2013 - 192 من الصفحات This is the first general and theoretical study devoted entirely to portraiture. Drawing on a broad range of images from Antiquity to the twentieth century, which includes paintings, sculptures, prints, cartoons, postage stamps, medals, documents and photographs, Richard Brilliant investigates the genre as a particular phenomenon in Western art that is especially sensitive to changes in the perceived nature of the individual in society. The author's argument on behalf of portraiture (and he draws on examples by such artists as Botticelli, Rembrandt, Matisse, Warhol and Hockney) does not comprise a mere survey of the genre, nor is it a straightforward history of its reception. Instead, Brilliant presents a thematic and cogent analysis of the connections between the subject-matter of portraits and the beholder's response – the response he or she makes to the image itself and to the person it represents. Portraiture's extraordinary longevity and resilience as a genre is a testament to the power of this imaginative transaction between the subject, the artist and the beholder. |
المحتوى
7 | |
I The Authority of the Likeness | 23 |
II Fashioning the Self | 45 |
Placements | 89 |
IV Heres Looking at You | 141 |
References | 175 |
List of Illustrations | 189 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Amelius Andy Warhol appearance autoicon Belley body bust caricature Carterius century character concept culture Daniel Webster Daumier defined despite Donatello Duchamp Dürer E. H. Gombrich effect Erasmus Escher Essays existence expression face facial figure Franklin Frans Hals Fred Perry genre George Sand Gertrude Stein Goethe group portrait History Homer human identified illus imagery individual interpretation Larry Hoskins London look Mae West Manet Marcel Duchamp mask Matisse mind mirror nature object observer original painter painting Paul Klee perception person portrayed personal identity photograph physical physiognomic Picasso picture Plotinus portrait artists portrait illus portrait image Portrait of Zola portraitist portraiture portrayal present Pseudo-Seneca recognition recognized reference reflection relationship Rembrandt Renaissance Portraits representation represented resemblance revealed Rockwell role Roman Rubens schema sculpture seems Self-Portrait Seneca sitter social someone Southworth and Hawes tation tion traits trans viewer visual Warhol York