Critique of Exotica: Music, Politics and the Culture IndustryIn this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses ‘world’ music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress. |
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الصفحة 37
Technology and Hybridity As with the infrastructural facilitation of world music festivalism like Womad , one of the lines of argument running through the works of Gilroy , Hall and Bhabha attributes significance to the role of ...
Technology and Hybridity As with the infrastructural facilitation of world music festivalism like Womad , one of the lines of argument running through the works of Gilroy , Hall and Bhabha attributes significance to the role of ...
الصفحة 40
Adorno's critique of the danger entailed in technological enhancement of the commodity system , I do not understand , then , how or why Gilroy immediately needs to differentiate himself from postmodernist textuality by means of what he ...
Adorno's critique of the danger entailed in technological enhancement of the commodity system , I do not understand , then , how or why Gilroy immediately needs to differentiate himself from postmodernist textuality by means of what he ...
الصفحة 41
of ethnicity and authenticity within these judgements ' ( Gilroy 1993a : 75 ) . Authenticity , however , seems already marked out on a dance hall floor that has stronger roots in Africa and Jamaica than in the experiences of black ...
of ethnicity and authenticity within these judgements ' ( Gilroy 1993a : 75 ) . Authenticity , however , seems already marked out on a dance hall floor that has stronger roots in Africa and Jamaica than in the experiences of black ...
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عبارات ومصطلحات مألوفة
academic activity Adorno anti-racism anti-racist appropriation Asian attack audience authenticity band become Britain British called campaign capital capitalist celebration Chapter Communist considered contemporary context continues course critical critique cultural cultural politics dance debate defence difference discussion economic especially ethnic example force forms Fun^da^mental Gilroy global groups hybridity identity imperialism important India industry interests issues labour live London Marx Marxism means move movement Naxalite offers organised Party performance perhaps play police politics popular possible practice present Press production question race racism record reference relations remains requires response revolutionary seems social sound South Asian space Spartacist League specific Spivak struggle studies suggests things track transnational University violence visibility Womad workers writing youth
معلومات المراجع
| العنوان | Critique of Exotica: Music, Politics and the Culture Industry |
| المؤلف | John Hutnyk |
| الناشر | Pluto Press, 2000 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 0745315542, 9780745315546 |
| عدد الصفحات | 261 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |