Critique of Exotica: Music, Politics and the Culture IndustryIn this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses ‘world’ music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress. |
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الصفحة 109
As I will discuss in Chapter 7 , the Naxalite movement has recently been celebrated by Asian Dub Foundation and Khatam was also the name of a Manchester South Asian club night . The possibility of underlining so many of these congruous ...
As I will discuss in Chapter 7 , the Naxalite movement has recently been celebrated by Asian Dub Foundation and Khatam was also the name of a Manchester South Asian club night . The possibility of underlining so many of these congruous ...
الصفحة 116
Thus I have been asking how useful the term hybridity is in the ' advanced ' North Atlantic zones , especially as it is deployed in discussions of South Asian popular culture and music performance made in these zones – the now also ...
Thus I have been asking how useful the term hybridity is in the ' advanced ' North Atlantic zones , especially as it is deployed in discussions of South Asian popular culture and music performance made in these zones – the now also ...
الصفحة 249
Saha , Anamik ( 1999 ) ' Asians Can't Rock ' , unpublished dissertation , Goldsmiths College , London . ... The Cultural Politics of the New Asian Dance Music ' , ICCCR South Asia seminar series , University of Manchester , 1 Nov.
Saha , Anamik ( 1999 ) ' Asians Can't Rock ' , unpublished dissertation , Goldsmiths College , London . ... The Cultural Politics of the New Asian Dance Music ' , ICCCR South Asia seminar series , University of Manchester , 1 Nov.
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academic activity Adorno anti-racism anti-racist appropriation Asian attack audience authenticity band become Britain British called campaign capital capitalist celebration Chapter Communist considered contemporary context continues course critical critique cultural cultural politics dance debate defence difference discussion economic especially ethnic example force forms Fun^da^mental Gilroy global groups hybridity identity imperialism important India industry interests issues labour live London Marx Marxism means move movement Naxalite offers organised Party performance perhaps play police politics popular possible practice present Press production question race racism record reference relations remains requires response revolutionary seems social sound South Asian space Spartacist League specific Spivak struggle studies suggests things track transnational University violence visibility Womad workers writing youth