Critique of Exotica: Music, Politics and the Culture IndustryIn this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses ‘world’ music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress. |
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النتائج 1-3 من 50
الصفحة 90
In the search for authenticity it has become fairly commonplace to acknowledge that authenticity is a sham . Indeed , the more sophisticated poses available in the theory and tourist marketplace , not to mention in the popular music ...
In the search for authenticity it has become fairly commonplace to acknowledge that authenticity is a sham . Indeed , the more sophisticated poses available in the theory and tourist marketplace , not to mention in the popular music ...
الصفحة 125
Authenticity is bound up here as the unavoidable secret nemesis of hybridity theorists - caught in a dialogue which separates , they must then posit difference and its bridge , and offer an understanding of this process as the crucial ...
Authenticity is bound up here as the unavoidable secret nemesis of hybridity theorists - caught in a dialogue which separates , they must then posit difference and its bridge , and offer an understanding of this process as the crucial ...
الصفحة 203
Authenticity It should at least be clear that the concern with ' authenticity ' that leads to a critique of trinketising exotic versions of South Asian musics is not one which insists upon the purity of traditional ...
Authenticity It should at least be clear that the concern with ' authenticity ' that leads to a critique of trinketising exotic versions of South Asian musics is not one which insists upon the purity of traditional ...
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academic activity Adorno anti-racism anti-racist appropriation Asian attack audience authenticity band become Britain British called campaign capital capitalist celebration Chapter Communist considered contemporary context continues course critical critique cultural cultural politics dance debate defence difference discussion economic especially ethnic example force forms Fun^da^mental Gilroy global groups hybridity identity imperialism important India industry interests issues labour live London Marx Marxism means move movement Naxalite offers organised Party performance perhaps play police politics popular possible practice present Press production question race racism record reference relations remains requires response revolutionary seems social sound South Asian space Spartacist League specific Spivak struggle studies suggests things track transnational University violence visibility Womad workers writing youth