Critique of Exotica: Music, Politics and the Culture IndustryIn this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses ‘world’ music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress. |
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الصفحة 70
... track ' Vigilante ' : As the night falls its getting scary thinking about racist thugs that be moving about anger in their eyes and hate in their feet as they charge for the Paki or the Blackie in the street I live in fear , I wanna ...
... track ' Vigilante ' : As the night falls its getting scary thinking about racist thugs that be moving about anger in their eyes and hate in their feet as they charge for the Paki or the Blackie in the street I live in fear , I wanna ...
الصفحة 95
( Popview Live interview 1997 ) The moral certainty is presented as instruction , the music is the message , the planet must be liberated ( this missionary zeal ) . Indeed , most of Kula Shaker's public relations repertoire is moral and ...
( Popview Live interview 1997 ) The moral certainty is presented as instruction , the music is the message , the planet must be liberated ( this missionary zeal ) . Indeed , most of Kula Shaker's public relations repertoire is moral and ...
الصفحة 215
For me this is a possibility , not something to regret as Gilroy mournfully argues : 5 more recently , digital audio , stagnation , and what we could politely call recycling have intervened to make live music less pleasurable , and , in ...
For me this is a possibility , not something to regret as Gilroy mournfully argues : 5 more recently , digital audio , stagnation , and what we could politely call recycling have intervened to make live music less pleasurable , and , in ...
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academic activity Adorno anti-racism anti-racist appropriation Asian attack audience authenticity band become Britain British called campaign capital capitalist celebration Chapter Communist considered contemporary context continues course critical critique cultural cultural politics dance debate defence difference discussion economic especially ethnic example force forms Fun^da^mental Gilroy global groups hybridity identity imperialism important India industry interests issues labour live London Marx Marxism means move movement Naxalite offers organised Party performance perhaps play police politics popular possible practice present Press production question race racism record reference relations remains requires response revolutionary seems social sound South Asian space Spartacist League specific Spivak struggle studies suggests things track transnational University violence visibility Womad workers writing youth