Critique of Exotica: Music, Politics and the Culture IndustryIn this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses ‘world’ music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress. |
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الصفحة 24
Yet Gilroy suggests that in the late 1970s it was the reggae of Bob Marley which provided a cross - over music able to articulate a critique of colonialism and repression , and which gave young audiences in England a chance to ' make ...
Yet Gilroy suggests that in the late 1970s it was the reggae of Bob Marley which provided a cross - over music able to articulate a critique of colonialism and repression , and which gave young audiences in England a chance to ' make ...
الصفحة 35
She suggests that as hybridity implies as its logical extension the hybridity of everything , this means also that contradictions and struggles that were in a certain way prior to those raised around the term still require urgent ...
She suggests that as hybridity implies as its logical extension the hybridity of everything , this means also that contradictions and struggles that were in a certain way prior to those raised around the term still require urgent ...
الصفحة 209
Mallick suggests their effort has failed , they themselves of course suggest a degree of success . Here , although the examples of communist struggle that might be cited do not always , or indeed primarily , refer to parliamentarism ...
Mallick suggests their effort has failed , they themselves of course suggest a degree of success . Here , although the examples of communist struggle that might be cited do not always , or indeed primarily , refer to parliamentarism ...
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academic activity Adorno anti-racism anti-racist appropriation Asian attack audience authenticity band become Britain British called campaign capital capitalist celebration Chapter Communist considered contemporary context continues course critical critique cultural cultural politics dance debate defence difference discussion economic especially ethnic example force forms Fun^da^mental Gilroy global groups hybridity identity imperialism important India industry interests issues labour live London Marx Marxism means move movement Naxalite offers organised Party performance perhaps play police politics popular possible practice present Press production question race racism record reference relations remains requires response revolutionary seems social sound South Asian space Spartacist League specific Spivak struggle studies suggests things track transnational University violence visibility Womad workers writing youth