Sometimes the mutual ignorance of the selves leads to incidents which are strange enough. The acts and movements performed by the sub-conscious self are withdrawn from the conscious one, and the subject will do all sorts of incongruous things of which he remains quite unaware. "I order Lucie [by the method of distraction] to make a pied de nez, and her hands go forthwith to the end of her nose. Asked what she is doing, she replies that she is doing nothing, and continues for a long time talking, with no apparent suspicion that her fingers are moving in front of her nose. I make her walk about the room; she continues to speak and believes herself sitting down." M. Janet observed similar acts in a man in alcoholic delirium. Whilst the doctor was questioning him, M. J. made him by whispered suggestion walk, sit, kneel, and even lie down on his face on the floor, he all the while believing himself to be standing beside his bed. Such bizarreries sound incredible, until one has seen their like. Long ago, without understanding it, I myself saw a small example of the way in which a person's knowledge may be shared by the two selves. A young woman who had been writing automatically was sitting with a pencil in her hand, trying to recall at my request the name of a gentleman whom she had once seen. She could only recollect the first syllable. Her hand meanwhile, without her knowledge, wrote down the last two syllables. In a perfectly healthy young man who can write with the planchette, I lately found the hand to be entirely anæsthetic during the writing act; I could prick it severely without the Subject knowing the fact. The writing on the planchette, however, accused me in strong terms of hurting the hand. Pricks on the other (non-writing) hand, meanwhile, which awakened strong protest from the young man's vocal organs, were denied to exist by the self which made the planchette go.* We get exactly similar results in the so-called post-hypnotic suggestion. It is a familiar fact that certain subjects, when told during a trance to perform an act or to *See Proceedings of American Soc. for Psych. Research, vol. 1. p. experience an hallucination after waking, will when the time comes, obey the command. How is the command registered? How is its performance so accurately timed? These problems were long a mystery, for the primary personality remembers nothing of the trance or the suggestion, and will often trump up an improvised pretext for yielding to the unaccountable impulse which possesses the man so suddenly and which he cannot resist. Edmund Gurney was the first to discover, by means of automatic writing, that the secondary self is awake, keeping its attention constantly fixed on the command and watching for the signal of its execution. Certain trance-subjects who were also automatic writers, when roused from trance and put to the planchette,—not knowing then what they wrote, and having their upper attention fully engrossed by reading aloud, talking, or solving problems in mental arithmetic,—would inscribe the orders which they had received, together with notes relative to the time elapsed and the time yet to run before the execution.* It is therefore to no 'automatism in the mechanical sense that such acts are due: a self presides over them, a split-off, limited and buried, but yet a fully conscious, self. More than this, the buried self often comes to the surface and drives out the other self whilst the acts are performing. In other words, the subject lapses into trance again when the moment arrives for execution, and has no subsequent recollection of the act which he has done. Gurney and Beaunis established this fact, which has since been verified on a large scale; and Gurney also showed that the patient became suggestible again during the brief time of the performance. M. Janet's observations, in their turn, well illustrate the phenomenon. "I tell Lucie to keep her arms raised after she shall have awakened. Hardly is she in the normal state, when up go her arms above her head, but she pays no attention to them. She goes, comes, converses, holding her arms high in the air. If asked what her arms are doing, she is surprised at such a question, and says very sincerely: 'My hands are doing nothing; they are just like yours.'. . . I com *Proceedings of the (London) Soc. for Psych. Research, May, 1887, p. 268 ff. mand her to weep, and when awake she really sobs, but continues ir the midst of her tears to talk of very gay matters. The sobbing over, there remained no trace of this grief, which seemed to have been quite sub-conscious." The primary self often has to invent an hallucination by which to mask and hide from its own view the deeds which the other self is enacting. Léonie 3* writes real letters whilst Léonie 1 believes that she is knitting; or Lucie really comes to the doctor's office, whilst Lucie 1 believes herself to be at home. This is a sort of delirium. The alphabet, or the series of numbers, when handed over to the attention of the secondary personage may for the time be lost to the normal self. Whilst the hand writes the alphabet, obediently to command, the 'subject,' to her great stupefaction, finds herself unable to recall it, etc. Few things are more curious than these relations of mutual exclusion, of which all gradations exist between the several partial consciousnesses. How far this splitting up of the mind into separate consciousnesses may exist in each one of us is a problem. M. Janet holds that it is only possible where there is abnormal weakness, and consequently a defect of unifying or co-ordinating power. An hysterical woman abandons part of her consciousness because she is too weak nervously to hold it together. The abandoned part meanwhile may solidify into a secondary or sub-conscious self. In a perfectly sound subject, on the other hand, what is dropped out of mind at one moment keeps coming back at the next. The whole fund of experiences and knowledges remains integrated, and no split-off portions of it can get organized stably enough to form subordinate selves. The stability, monotony, and stupidity of these latter is often very striking. The posthypnotic sub-consciousness seems to think of nothing but the order which it last received; the cataleptic sub-consciousness, of nothing but the last position imprinted on the limb. M. Janet could cause definitely circumscribed reddening and tumefaction of the skin on two of his subjects, * M. Janet designates by numbers the different personalities which the subject may display. by suggesting to them in hypnotism the hallucination of a mustard-poultice of any special shape. "J'ai tout le temps pensé à votre sinapisme," says the subject, when put back into trance after the suggestion has taken effect. A man N., . . . whom M. Janet operated on at long intervals, was betweenwhiles tampered with by another operator, and when put to sleep again by M. Janet, said he was 'too far away to receive orders, being in Algiers.' The other operator, having suggested that hallucination, had forgotten to remove it before waking the subject from his trance, and the poor passive trance-personality had stuck for weeks in the stagnant dream. Léonie's sub-conscious performances having been illustrated to a caller, by a' pied de nez' executed with her left hand in the course of conversation, when, a year later, she meets him again, up goes the same hand to her nose again, without Léonie's normal self suspecting the fact. All these facts, taken together, form unquestionably the beginning of an inquiry which is destined to throw a new light into the very abysses of our nature. It is for that reason that I have cited them at such length in this early chapter of the book. They prove one thing conclusively, namely, that we must never take a person's testimony, however sincere, that he has felt nothing, as proof positive that no feeling has been there. It may have been there as part of the consciousness of a 'secondary personage,' of whose experiences the primary one whom we are consulting can naturally give no account. In hypnotic subjects (as we shall see in a later chapter) just as it is the easiest thing in the world to paralyze a movement or member by simple suggestion, so it is easy to produce what is called a system atized anesthesia by word of command. A systematized anæsthesia means an insensibility, not to any one element of things, but to some one concrete thing or class of things. The subject is made blind or deaf to a certain person in the room and to no one else, and thereupon denies that that person is present, or has spoken, etc. M. P. Janet's Lucie, blind to some of the numbered cards in her lap (p. 207 above), is a case in point. Now when the object is simple, like a red wafer or a black cross, the subject, although he denies that he sees it when he looks straight at it, nevertheless gets a 'negative after-image' of it when he looks away again, showing that the optical impression of it has been received. Moreover reflection shows that such a subject must distinguish the object from others like it in order to be blind to it. Make him blind to one person in the room, set all the persons in a row, and tell him to count them. He will count all but that one. But how can he tell which one not to count without recognizing who he is? In like manner, make a stroke on paper or blackboard, and tell him it is not there, and he will see nothing but the clean paper or board. Next (he not looking) surround the original stroke with other strokes exactly like it, and ask him what he sees. He will point out one by one all the new strokes, and omit the original one every time, no matter how numerous the new strokes may be, or in what order they are arranged. Similarly, if the original single stroke to which he is blind be doubled by a prism of some sixteen degrees placed before one of his eyes (both being kept open), he will say that he now sees one stroke, and point in the direction in which the image seen through the prism lies, ignoring still the original stroke. Obviously, then, he is not blind to the kind of stroke in the least. He is blind only to one individual stroke of that kind in a particular position on the board or paper-that is to a particular complex object; and, paradoxical as it may seem to say so, he must distinguish it with great accuracy from others like it, in order to remain blind to it when the others are brought near. He discriminates it, as a preliminary to not seeing it at all. Again, when by a prism before one eye a previously invisible line has been made visible to that eye, and the other eye is thereupon closed or screened, its closure makes no difference; the line still remains visible. But if then the prism be removed, the line will disappear even to the eye which a moment ago saw it, and both eyes will revert to their original blind state. We have, then, to deal in these cases neither with a blindness of the eye itself, nor with a mere failure to notice, but |