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similar association. A in each is the passing, B the coming thought. In 'impartial,' all parts of A are equally opera

B

FIG. 41.

tive in calling up B. In 'mixed,' most parts of A are inert. The part M alone breaks out and awakens B. In 'similar,' the focalized part M is much smaller than in the previous

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case, and after awakening its new set of associates, instead of fading out itself, it continues persistently active along with them, forming an identical part in the two ideas, and making these, pro tanto, resemble each other.

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Why a single portion of the passing thought should break out from its concert with the rest and act, as we say, on its own hook, why the other parts should become inert, are mysteries which we can ascertain but not explain. Possibly a minuter insight into the laws of neural action will

some day clear the matter up; possibly neural laws will not suffice, and we shall need to invoke a dynamic reaction of the form of consciousness upon its content. But into this we cannot enter now.

To sum up, then, we see that the difference between the three kinds of association reduces itself to a simple difference in the amount of that portion of the nerve-tract supporting the going thought which is operative in calling up the thought which comes. But the modus operandi of this active part is the same, be it large or be it small. The items constituting the coming object waken in every instance because theii nerve-tracts once were excited continuously with those of the going object or its operative part. This ultimate physiological law of habit among the neural elements is what runs the train. The direction of its course and the form of its transitions, whether redintegrative, associative, or similar, are due to unknown regulative or determinative conditions which accomplish their effect by opening this switch and closing that, setting the engine sometimes at half-speed, and coupling or uncoupling cars.

This last figure of speech, into which I have glided unwittingly, affords itself an excellent instance of association by similarity. I was thinking of the deflections of the course of ideas. Now, from Hobbes's time downward, English writers have been fond of speaking of the train of our representations. This word happened to stand out in the midst of my complex thought with peculiarly sharp accentuation, and to surround itself with numerous details of railroad imagery. Only such details became clear, however, as had their nerve-tracts besieged by a double set of influences-those from train on the one hand, and those from the movement of thought on the other. It may possibly be that the prepotency of the suggestions of the word train at this moment were due to the recent excitation of the railroad brain-tract by the instance chosen a few pages back of a railroad king playing foot-ball with the stock-market.

It is apparent from such an example how inextricably complex are all the contributory factors whose resultant is the line of our reverie. It would be folly in most cases to

attempt to trace them out. From an instance like the above, where the pivot of the Similar Association was formed by a definite concrete word, train, to those where it is so subtile as utterly to elude our analysis, the passage is unbroken. We can form a series of examples. When Mr. Bagehot says that the mind of the savage, so far from being in a state of nature, is tattooed all over with monstrous superstitions, the case is very like the one we have just been considering. When Sir James Stephen compares our belief in the uniformity of nature, the congruity of the future with the past, to a man rowing one way and looking another, and steering his boat by keeping her stern in a line with an object behind him, the operative link becomes harder to dissect out. It is subtler still in Dr. Holmes's phrase, that stories in passing from mouth to mouth make a great deal of lee-way in proportion to their headway; or in Mr. Lowell's description of German sentences, that they have a way of yawing and going stern-foremost and not minding the helm for several minutes after it has been put down. And finally, it is a real puzzle when the color pale-blue is said to have feminine and blood-red masculine affinities. And if I hear a friend describe a certain family as having blotting-paper voices, the image, though immediately felt to be apposite, baffles the utmost powers of analysis. The higher poets all use abrupt epithets, which are alike intimate and remote, and, as Emerson says, sweetly torment us with invitations to their inaccessible homes.

In these latter instances we must suppose that there is an identical portion in the similar objects, and that its braintract is energetically operative, without, however, being sufficiently isolable in its activity as to stand out per se, and form the condition of a distinctly discriminated 'abstract idea.' We cannot even by careful search see the bridge over which we passed from the heart of one representation to that of the next. In some brains, however, this mode of transition. is extremely common. It would be one of the most important of physiological discoveries could we assign the mechanical or chemical difference which makes the thoughts of one brain cling close to impartial redintegration, while those of another shoot about in all the lawless revelry of

similarity. Why, in these latter brains, action should tend to focalize itself in small spots, while in the others it fills patiently its broad bed, it seems impossible to guess. Whatever the difference may be, it is what separates the man of genius from the prosaic creature of habit and routine thinking. In Chapter XXII we shall need to recur again to this point.

ASSOCIATION IN VOLUNTARY THOUGHT.

Hitherto we have assumed the process of suggestion of one object by another to be spontaneous. The train of imagery wanders at its own sweet will, now trudging in sober grooves of habit, now with a hop, skip, and jump darting across the whole field of time and space. This is revery, or musing; but great segments of the flux of our ideas consist of something very different from this. They are guided by a distinct purpose or conscious interest. As the Germans say, we nachdenken, or think towards a certain end. It is now necessary to examine what modification is made in the trains of our imagery by the having of an end in view. The course of our ideas is then called voluntary.

Physiologically considered, we must suppose that a purpose means the persistent activity of certain rather definite brain-processes throughout the whole course of thought. Our most usual cogitations are not pure reveries, absolute driftings, but revolve about some central interest or topic to which most of the images are relevant, and towards which we return promptly after occasional digressions. This interest is subserved by the persistently active brain-tracts we have supposed. In the mixed associations which we have hitherto studied, the parts of each object which form the pivots on which our thoughts successively turn have their interest largely determined by their connection with some general interest which for the time has seized upon the mind. If we call Z the brain-tract of general interest, then, if the object abc turns up, and b has more associations with Z than have either a or c, b will become the object's interesting, pivotal portion, and will call up its own associates exclusively. For the energy of b's braintract will be augmented by Z's activity,—an activity which,

from lack of previous connection between Z and a or c does not influence a or c. If, for instance, I think of Paris whilst I am hungry, I shall not improbably find that its restaurants have become the pivot of my thought, etc., etc.

But in the theoretic as well as in the practical life there are interests of a more acute sort, taking the form of definite images of some achievement, be it action or acquisition, which we desire to effect. The train of ideas arising under the influence of such an interest constitutes usually the thought of the means by which the end shall be attained. If the end by its simple presence does not instantaneously suggest the means, the search for the latter becomes an intellectual problem. The solution of problems is the most characteristic and peculiar sort of voluntary thinking. Where the end thought of is some outward deed or gain, the solution is largely composed of the actual motor processes, walking, speaking, writing, etc., which lead up to it. Where the end is in the first instance only ideal, as in laying out a place of operations, the steps are purely imaginary. In both of these cases the discovery of the means may form a new sort of end, of an entirely peculiar nature, an end, namely, which we intensely desire before we have attained it, but of the nature of which, even whilst most strongly craving it, we have no distinct imagination whatever. Such an end is a problem.

The same state of things occurs whenever we seek to recall something forgotten, or to state the reason for a judgment which we have made intuitively. The desire strains and presses in a direction which it feels to be right but towards a point which it is unable to see. In short, the absence of an item is a determinant of our representations quite as positive as its presence can ever be. The gap becomes no mere void, but what is called an aching void. If we try to explain in terms of brain-action how a thought which only potentially exists can yet be effective, we seem driven to believe that the brain-tract thereof must actually be excited, but only in a minimal and sub-conscious way. Try, for instance, to symbolize what goes on in a man who is racking his brains to remember a thought which occurred to him last week. The associates of the

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