Archival Reflections: Postmodern Fiction of the Americas (self-reflexivity, Historical Revisionism, Utopia)Bucknell University Press, 2000 - 367 من الصفحات Archival Reflections explores the works of Carlos Fuentes of Mexico, Julio Cortazar of Argentina, and Ismael Reed and E. L. Doctorow of the United States from two innovative perspectives -- the new forms of the historical novel and the current debate on postmodernism. It explores North-South relations in the Americas and the question of cultural borders within the New World order. It has implications for the literary histories of Spanish America and the United States, as well as for the fields of inter-American and cultural studies, literary theory, and historiography. |
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الصفحة 234
... Daniel's analysis , anti - Soviet propaganda led to a methodical falsification of reality aimed at masquerading instances of sheer imperialism as humanitarian assistance . Thus , the Truman Doctrine , and especially the Marshall Plan ...
... Daniel's analysis , anti - Soviet propaganda led to a methodical falsification of reality aimed at masquerading instances of sheer imperialism as humanitarian assistance . Thus , the Truman Doctrine , and especially the Marshall Plan ...
الصفحة 245
... Daniel.99 Although Doctorow claims to have thrown out that first manuscript , in The Book of Daniel the omniscient third person is not excluded alto- gether but rather coexists in tension with the protagonist's first per- son voice ...
... Daniel.99 Although Doctorow claims to have thrown out that first manuscript , in The Book of Daniel the omniscient third person is not excluded alto- gether but rather coexists in tension with the protagonist's first per- son voice ...
الصفحة 251
... Daniel , the fictionalized author of The Book of Daniel , is the work's organizing conscious- ness . His constant intrusiveness is portrayed not only as a way of denaturalizing the inscribed discourses , but also as a form of un ...
... Daniel , the fictionalized author of The Book of Daniel , is the work's organizing conscious- ness . His constant intrusiveness is portrayed not only as a way of denaturalizing the inscribed discourses , but also as a form of un ...
المحتوى
Acknowledgments | 9 |
Carlos Fuentess Theater of Memory | 54 |
Ishmael Reeds | 126 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
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