Archival Reflections: Postmodern Fiction of the Americas (self-reflexivity, Historical Revisionism, Utopia)Bucknell University Press, 2000 - 367 من الصفحات Archival Reflections explores the works of Carlos Fuentes of Mexico, Julio Cortazar of Argentina, and Ismael Reed and E. L. Doctorow of the United States from two innovative perspectives -- the new forms of the historical novel and the current debate on postmodernism. It explores North-South relations in the Americas and the question of cultural borders within the New World order. It has implications for the literary histories of Spanish America and the United States, as well as for the fields of inter-American and cultural studies, literary theory, and historiography. |
من داخل الكتاب
النتائج 1-3 من 35
الصفحة 70
... described immediately afterwards.30 The chaos and dynamism of these initial images contrast with the static order of Philip II's Spain , which Fuentes introduces in the following chapter . The world of heresy described in chapter 3 ...
... described immediately afterwards.30 The chaos and dynamism of these initial images contrast with the static order of Philip II's Spain , which Fuentes introduces in the following chapter . The world of heresy described in chapter 3 ...
الصفحة 92
... described by Sahagún . As the Pilgrim approaches Mexico - Tenochtitlan " a great thorn of fire " ascends to the sky as " a pyramid of pure light " ( Sahagún's first omen ) ; the waters of the lake " boiled and foamed and rose to great ...
... described by Sahagún . As the Pilgrim approaches Mexico - Tenochtitlan " a great thorn of fire " ascends to the sky as " a pyramid of pure light " ( Sahagún's first omen ) ; the waters of the lake " boiled and foamed and rose to great ...
الصفحة 248
... described near the end of the novel , is presaged by numerous allusions to electricity . Thus , Paul is seen by his party comrades as " tireless , full of electricity " ( 59 ) . The relationship be- tween Paul and Rochelle is described ...
... described near the end of the novel , is presaged by numerous allusions to electricity . Thus , Paul is seen by his party comrades as " tireless , full of electricity " ( 59 ) . The relationship be- tween Paul and Rochelle is described ...
المحتوى
Acknowledgments | 9 |
Carlos Fuentess Theater of Memory | 54 |
Ishmael Reeds | 126 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
According aesthetic African analysis artists attempt authors becomes begins Book called chapter characters City concept considers construction contemporary Cortázar critics cultural Daniel described discourse discussed Doctorow documents dominant Duke University effect elements essay establish example expression fact fiction figure final follows forms Fuentes Fuentes's historiographic ideas images important interest interpretation LaBas Latin America Libro de Manuel literary literature means Memory metafiction Mexico movement Mumbo Jumbo myth narrative nature novel offers origin past perspective political popular position possible postmodern practices present production proposes questions Quetzalcoatl radical reader reading reality Reed Reed's refers reflection relation representation represented result role seeks similar social society sources Spain Spanish story structure suggests takes Terra theory tion tradition transformation United University Press utopian vision White World writing York