Archival Reflections: Postmodern Fiction of the Americas (self-reflexivity, Historical Revisionism, Utopia)Bucknell University Press, 2000 - 367 من الصفحات Archival Reflections explores the works of Carlos Fuentes of Mexico, Julio Cortazar of Argentina, and Ismael Reed and E. L. Doctorow of the United States from two innovative perspectives -- the new forms of the historical novel and the current debate on postmodernism. It explores North-South relations in the Americas and the question of cultural borders within the New World order. It has implications for the literary histories of Spanish America and the United States, as well as for the fields of inter-American and cultural studies, literary theory, and historiography. |
من داخل الكتاب
النتائج 1-3 من 89
الصفحة 12
... reflexive text , and new trends in the philosophy of history , I will examine this problematic narrative articulation in four American authors : Carlos Fuentes of Mexico , Julio Cortázar of Argentina , and Ishmael Reed and E. L. ...
... reflexive text , and new trends in the philosophy of history , I will examine this problematic narrative articulation in four American authors : Carlos Fuentes of Mexico , Julio Cortázar of Argentina , and Ishmael Reed and E. L. ...
الصفحة 13
... reflexive metaphors and how they relate to the author's cultural vision . Chapter 3 explores Ishmael Reed's historical revisionism as a means of displacing the dominant assumptions about the role of blacks in history . In Mumbo Jumbo ...
... reflexive metaphors and how they relate to the author's cultural vision . Chapter 3 explores Ishmael Reed's historical revisionism as a means of displacing the dominant assumptions about the role of blacks in history . In Mumbo Jumbo ...
الصفحة 31
... reflexive narrators and of techniques of defamiliarization has also made possible a greater ideological consciousness in contemporary literature . In A Poetics of Postmodernism ( 1988 ) , Hutcheon studies this in- creasing ...
... reflexive narrators and of techniques of defamiliarization has also made possible a greater ideological consciousness in contemporary literature . In A Poetics of Postmodernism ( 1988 ) , Hutcheon studies this in- creasing ...
المحتوى
Acknowledgments | 9 |
Carlos Fuentess Theater of Memory | 54 |
Ishmael Reeds | 126 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
aesthetic African African-American analysis artists authors Aztec Book of Daniel Book of Thoth Carlos Fuentes chapter characters chronicles collage concept contemporary context critics discourse discussed dominant E. L. Doctorow Egyptian El Escorial Escorial essay forms Fuentes's Harding's Harlem Renaissance Hassan Hispanic historian historiographic metafiction Hurston Hutcheon Ibid ideological images intellectual Ishmael Reed Jameson Jes Grew Julio Cortázar LaBas LaBas's Latin America legend Libro de Manuel literary literature McHale metaphor Mexico City mise en abyme modernism motifs movement multiple Mumbo Jumbo myth mythical Nahua narrative narrator Neo-HooDoo novel novelist origin Osiris Osiris's past perspective Pilgrim poetics political popular postmodern fiction present protagonist Quetzalcoatl radical reader reality Reed's refers reflection reflexive representation represented role seeks self-conscious self-reflexive Señor social Spain Spanish story tendency Terra Terra Nostra textual Theater of Memory theory tion tradition transformation University Press utopian vision voodoo World writing York