Relation of Psychology to Music

action aesthetic imagination association attention basilar membrane beautiful become Beethoven bodily body brain called cause character chimæra colors concept-mass concepts consciousness cultivated Dorian mode dreams effect elements emotions excited exercise experience Explain expression facts faculty universal fancy fingers flywheel genius Give examples Grant Allen habit hand Händel harmony hear heart Hence Herbartian human ideal ideas Illustrate imagination important impressions interesting internal ear knowledge listen matter means memory mind mode moral Mozart music student musical education musical faculty musician nature nerves nervous system never notes objects onomatopoetic organ perception perform phantasy phenomena Phrygian mode physiological basis piano picture play pleasure practice principle produced Prof psychic Psychology pupil recall relation repetition rest Robert Schumann Samuel Wesley says sensations sense soul sound stream teaching theory things thought tion tones vibrations whole words