Fugitive Cultures: Race, Violence, and YouthRoutledge, 06/12/2012 - 256 من الصفحات Fugitive Cultures examines how youth are being increasingly subjected to racial stereotyping and violence in various realms of popular culture, especially children's culture. But rather than dismissing popular culture, Henry Giroux addresses its political and pedagogical value as a site of critique and learning and calls for a reinvigorated critical relationship between cultural studies and those diverse cultural workers committed to expanding the possibilities and practices of democratic public life. |
المحتوى
White Panic and the Racial Coding of Violence | |
Racism and the Aesthetic of HyperReal Violence Pulp Fiction and other Visual | |
Animating Youth The Disneyfication of Childrens Culture | |
Public Intellectuals and Postmodern Youth | |
Talking Heads and Radio Pedagogy Microphone Politics and the New Public | |
Licensing Bigotry Without Being Politically Correct | |
The Milk Aint Clean National Identity and Multiculturalism | |
Notes | |
طبعات أخرى - عرض جميع المقتطفات
Fugitive Cultures: Race, Violence, and Youth <span dir=ltr>Henry A. Giroux</span> لا تتوفر معاينة - 1996 |
Fugitive Cultures: Race, Violence, and Youth <span dir=ltr>Henry A. Giroux</span> لا تتوفر معاينة - 1996 |
عبارات ومصطلحات مألوفة
academic aesthetic American analysis anti–political correctness appears argue audiences become black youth broader challenge children's culture cinematic classroom conservative constructed context critical pedagogy cultural differences cultural studies cultural workers culture of violence debate defining principle democracy democratic public discourse Disney Disney's animated films diverse dominant economic engage entertainment ethical everyday forms Giroux groups higher education Hollywood hyper-real ideological images increasingly institutions issues Jon Wiener kids knowledge language legitimate Lion King means media culture moral movie multiculturalism narratives national identity Newt Gingrich pedagogical pedagogical practices political correctness popular culture populist postmodern Press produced public intellectuals public sphere Pulp Fiction race racially coded racism radical relationship representations of violence Reservoir Dogs resistance right-wing role Routledge Rush Limbaugh simply social society space Stanley Aronowitz struggle suggests talk radio talk show Tarantino teachers teaching television texts theoretical traditional urban white youth York Z Magazine