New Critical Approaches to the Short Stories of Ernest HemingwayJackson J. Benson Duke University Press, 28/12/1990 - 512 من الصفحات With an Overview by Paul Smith and a Checklist to Hemingway Criticism, 1975–1990 New Critical Approaches to the Short Stories of Ernest Hemingway is an all-new sequel to Benson’s highly acclaimed 1975 book, which provided the first comprehensive anthology of criticism of Ernest Hemingway’s masterful short stories. Since that time the availability of Hemingway’s papers, coupled with new critical and theoretical approaches, has enlivened and enlarged the field of American literary studies. This companion volume reflects current scholarship and draws together essays that were either published during the past decade or written for this collection. Contributors. Debra A. Moddelmog, Ben Stotzfus, Robert Scholes, Hubert Zapf, Susan F. Beegel, Nina Baym, William Braasch Watson, Kenneth Lynn, Gerry Brenner, Steven K. Hoffman, E. R. Hagemann, Robert W. Lewis, Wayne Kvam, George Monteiro, Scott Donaldson, Bernard Oldsey, Warren Bennett, Kenneth G. Johnston, Richard McCann, Robert P. Weeks, Amberys R. Whittle, Pamela Smiley, Jeffrey Meyers, Robert E. Fleming, David R. Johnson, Howard L. Hannum, Larry Edgerton, William Adair, Alice Hall Petry, Lawrence H. Martin Jr., Paul Smith |
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... Big Two - Hearted River " and two months after he had arranged and submitted In Our Time for publication - provides the fullest explanation of his reasoning : " I have decided that all that mental conversation in the long fishing story ...
... Big Two - Hearted River " -in a statement that refers to artists but seems to have more general applications— “ They died and that was the hell of it . They worked all their lives and then got old and died " ( NAS , 219 ) . In sum ...
... Big Two - Hearted River . ' " Hemingway Review 3 , no . 2 ( Spring 1984 ) : 2–13 . Hardy and Cull , p . 47 . Helfand , Michael . “ A Champ Can't Retire Like Anyone Else . ” Lost Generation Journal 3 ( 1975 ) : 9-10 . Iwasa , Masazumi ...
المحتوى
Narrative Voice | 17 |
Semiotic Analysis | 33 |
Lacanian Reading | 48 |
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