Film Theory: Critical Concepts in Media and Cultural Studies
This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
The Lumière cinematograph
Visual pleasure and narrative cinema
early film and the incredulous
motion picture exhibition
a question of identification?
The Negro actor and the American movies
Womens cinema as countercinema
questions of appropriation and subversion
gender sexuality and Hollywoods
For an imperfect cinema
the stereotype and colonial discourse
Towards a critical theory of Third World films
Outside in inside out
on Johnny Weissmullers Tarzan
black female spectators
action activity appears artistic audience become Bette Davis body called camera characters cinema colonial concept constitute construction context countries critical cultural desire discourse discussion dominant dramas effect example exist experience expression fact fantasy feel female feminine feminist figure film film-maker function gaze gender Hollywood ideal identification identity important interest involves kind language less lives London look male mass means movie narrative nature Negro never object offer once original particular performance person picture play pleasure political popular position possible practices present problems production question race reference relation remains representation represented response role screen seems seen sense sexual signifier social space specific spectator star stereotype story struggle suggests symbolic theatre theory things Third World tion traditional understanding woman women workers young