Unthinking Eurocentrism: Multiculturalism and the MediaRoutledge, 27/09/2013 - 432 من الصفحات This excellent book corrects eurocentric criticism from media studies in the past by examining Hollywood movie genres such as the western and the musical from a multicultural perspective. |
من داخل الكتاب
النتائج 1-5 من 88
الصفحة i
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة x
... REPRESENTATION The question of realism The burden of representation The racial politics of casting The linguistics of domination Writing Hollywood and race The limits of the stereotype Perspective, address, focalization Cinematic and ...
... REPRESENTATION The question of realism The burden of representation The racial politics of casting The linguistics of domination Writing Hollywood and race The limits of the stereotype Perspective, address, focalization Cinematic and ...
الصفحة xi
... and political correctness Self-representation and the politics of identity Negotiating spectatorship Select bibliography Index 337 339 341 346 362 380 This page intentionally left blank PLATES Frontispiece Color Schemes by xi CONTENTS.
... and political correctness Self-representation and the politics of identity Negotiating spectatorship Select bibliography Index 337 339 341 346 362 380 This page intentionally left blank PLATES Frontispiece Color Schemes by xi CONTENTS.
الصفحة xv
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة xvi
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
المحتوى
INTRODUCTION | 1 |
1 FROM EUROCENTRISM TO POLYCENTRISM | 13 |
2 FORMATIONS OF COLONIALIST DISCOURSE | 55 |
3 THE IMPERIAL IMAGINARY | 100 |
4 TROPES OF EMPIRE | 137 |
5 STEREOTYPE REALISM AND THE STRUGGLE OVER REPRESENTATION | 178 |
6 ETHNICITIESINRELATION | 220 |
7 THE THIRD WORLDIST FILM | 248 |
8 ESTHETICS OF RESISTANCE | 292 |
9 THE POLITICS OF MULTICULTURALISM IN THE POSTMODERN AGE | 338 |
Select bibliography | 363 |
381 | |
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عبارات ومصطلحات مألوفة
African African-American Algerian allegory Arab Battle of Algiers Battle of Chile becomes Black Brazil Brazilian calls camera cannibalism carnival chanchada characters cinema colonial colonialist Columbus conflict conquest contemporary critique dialog diasporic discourse diverse documentary dominant Egyptian esthetic ethnic Eurocentric Europe European evokes example female feminist fiction figure fihn film film’s filmmakers final find first Ganga Zumba gender global groups Gulf war harem hegemony Hollywood Hollywood films identification identity ideological images imperial Indian indigenous influence Jewish Kayapo land language Latin metaphor multiculturalism narrative Native American neocolonial official oppression orient Palestinian perspective play political popular culture portrayed positive postcolonial postmodern production protagonist race racial racism reflects reflexive representation resistance role scientific sense sexual Shohat Signifier slave social speak specific spectator spectatorship Stam stereotypes story struggle syncretism texts Third Cinema Third World Third Worldist tradition trope University Press voice Western White woman women York