Unthinking Eurocentrism: Multiculturalism and the MediaRoutledge, 27/09/2013 - 432 من الصفحات This excellent book corrects eurocentric criticism from media studies in the past by examining Hollywood movie genres such as the western and the musical from a multicultural perspective. |
من داخل الكتاب
النتائج 1-5 من 34
الصفحة xiv
... texts 155 29 and 30 Incarnations of the Sheik : from Rudolph Valentino to Elvis Presley 162 31 and 32 Homoeroticism and transvestitism in the orient : Lawrence of Arabia and Sahara 167 33 History whitewashed in Mississippi Burning 179 ...
... texts 155 29 and 30 Incarnations of the Sheik : from Rudolph Valentino to Elvis Presley 162 31 and 32 Homoeroticism and transvestitism in the orient : Lawrence of Arabia and Sahara 167 33 History whitewashed in Mississippi Burning 179 ...
الصفحة 6
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الصفحة 7
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الصفحة 8
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الصفحة 11
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المحتوى
INTRODUCTION | 1 |
1 FROM EUROCENTRISM TO POLYCENTRISM | 13 |
2 FORMATIONS OF COLONIALIST DISCOURSE | 55 |
3 THE IMPERIAL IMAGINARY | 100 |
4 TROPES OF EMPIRE | 137 |
5 STEREOTYPE REALISM AND THE STRUGGLE OVER REPRESENTATION | 178 |
6 ETHNICITIESINRELATION | 220 |
7 THE THIRD WORLDIST FILM | 248 |
8 ESTHETICS OF RESISTANCE | 292 |
9 THE POLITICS OF MULTICULTURALISM IN THE POSTMODERN AGE | 338 |
Select bibliography | 363 |
| 381 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
African African-American Algerian allegory Arab audience Battle of Algiers Battle of Chile becomes Black Brazil Brazilian calls camera cannibalism carnival chanchada characters cinema civilization colonial Columbus conquest contemporary critical critique dialog diasporic diverse documentary dominant Egyptian empire esthetic ethnic Eurocentric Europe European evokes example Fanon fantasies female feminist film's filmmakers French Ganga Zumba gender global groups Gulf war harem hegemony Hollywood hybrid identity ideological images imperial Indian indigenous Jewish Jews Kayapo land language Latin liberal London Macunaíma metaphor multiculturalism narrative Native American neocolonial novel oppression orient Palestinian performers perspective play political popular culture portrayed positive postcolonial postmodern production protagonist race racial racism representation repression resistance role sense sexual Shohat slave slavery social speak spectator spectatorship Stam stereotypes story struggle syncretism texts Third Cinema Third World Third Worldist tradition trope University Press voice West Western White woman women York