Unthinking Eurocentrism: Multiculturalism and the MediaRoutledge, 27/09/2013 - 432 من الصفحات This excellent book corrects eurocentric criticism from media studies in the past by examining Hollywood movie genres such as the western and the musical from a multicultural perspective. |
من داخل الكتاب
الصفحة i
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة ix
... West The legacy of colonialism Race and racism The Third World Third World cinema Fourth World and indigenous media ... western as paradigm The late imperial film 71 77 82 85 100 101 104 109 114 121 Postmodern war 125 4 TROPES OF ...
... West The legacy of colonialism Race and racism The Third World Third World cinema Fourth World and indigenous media ... western as paradigm The late imperial film 71 77 82 85 100 101 104 109 114 121 Postmodern war 125 4 TROPES OF ...
الصفحة xiii
... Western 144 knowledge rescues the Egyptian past from oblivion 152 28 The. 26 and 27 2. Eurocentrism attributes to the " West " an inherent. xiii List of Plates.
... Western 144 knowledge rescues the Egyptian past from oblivion 152 28 The. 26 and 27 2. Eurocentrism attributes to the " West " an inherent. xiii List of Plates.
الصفحة xix
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 1
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
المحتوى
INTRODUCTION | 1 |
1 FROM EUROCENTRISM TO POLYCENTRISM | 13 |
2 FORMATIONS OF COLONIALIST DISCOURSE | 55 |
3 THE IMPERIAL IMAGINARY | 100 |
4 TROPES OF EMPIRE | 137 |
5 STEREOTYPE REALISM AND THE STRUGGLE OVER REPRESENTATION | 178 |
6 ETHNICITIESINRELATION | 220 |
7 THE THIRD WORLDIST FILM | 248 |
8 ESTHETICS OF RESISTANCE | 292 |
9 THE POLITICS OF MULTICULTURALISM IN THE POSTMODERN AGE | 338 |
Select bibliography | 363 |
381 | |
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عبارات ومصطلحات مألوفة
African African-American Algerian allegory Arab audience Battle of Algiers Battle of Chile becomes Black Brazil Brazilian calls camera cannibalism carnival chanchada characters cinema civilization colonial Columbus conquest contemporary critical critique dialog diasporic diverse documentary dominant Egyptian empire esthetic ethnic Eurocentric Europe European evokes example Fanon fantasies female feminist film's filmmakers French Ganga Zumba gender global groups Gulf war harem hegemony Hollywood hybrid identity ideological images imperial Indian indigenous Jewish Jews Kayapo land language Latin liberal London Macunaíma metaphor multiculturalism narrative Native American neocolonial novel oppression orient Palestinian performers perspective play political popular culture portrayed positive postcolonial postmodern production protagonist race racial racism representation repression resistance role sense sexual Shohat slave slavery social speak spectator spectatorship Stam stereotypes story struggle syncretism texts Third Cinema Third World Third Worldist tradition trope University Press voice West Western White woman women York