Unthinking Eurocentrism: Multiculturalism and the Media"Unthinking Eurocentrism, a seminal and award-winning work in postcolonial studies first published in 1994, explored Eurocentrism as an interlocking network of buried premises, embedded narratives, and submerged tropes that constituted a broadly shared epistemology. Within a transdisciplinary study, the authors argued that the debates about Eurocentrism and post/coloniality must be considered within a broad historical sweep that goes at least as far back as the various 1492s: the Inquisition, the Expulsion of Jews and Muslims, the Conquest of the Americas, and the Transatlantic slave trade; a process which culminates in the post War attempts to radically decolonize global culture. Ranging over multiple geographies, the book deprovincialized media/cultural studies through a polycentric approach, while analysing in depth such issues as postcolonial hybridity, antinomies of Enlightenment, the tropes of empire, gender and rescue fantasies, the racial politics of casting, and the limitations of positive image analysis. The substantial new afterword in this 20th anniversary new edition brings these issues into the present by charting recent transformations of the intellectual debates, as terms such as the transnational, the commons, indigeneity, and the Red Atlantic have come to the fore. The afterword also explores some cinematic trends such as indigenous media and postcolonial adaptations that have gained strength over the past two decades, along with others, such as Nollywood, that have emerged with startling force. Winner of the Katherine Kovacs Singer Best Film Book Award, the book has been translated in full or in its entirety into diverse languages from Spanish to Farsi. This expanded edition of a ground-breaking text proposes analytical grids relevant to a wide variety of fields including postcolonial studies, literary studies, anthropology, media studies, cultural studies, and critical race studies"-- |
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Third World cinema | 28 |
123 | 33 |
The postcolonial and the hybrid | 37 |
Polycentric multiculturalism | 46 |
9 | 75 |
Other Francisco | 81 |
14 | 92 |
Around the World in 80 Days and Simba | 106 |
Western | 152 |
STEREOTYPE REALISM AND THE STRUGGLE OVER | 178 |
ETHNICITIESINRELATION | 220 |
Erotic allegories | 230 |
The mutual illumination of cultures | 241 |
THE THIRD WORLDIST FILM | 248 |
ESTHETICS OF RESISTANCE | 292 |
363 | |
19 | 116 |
2222 | 124 |
TROPES OF EMPIRE | 137 |
Mapping terra incognita | 145 |
380 | |
388 | |
394 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
African African-American Algiers Arab audience Battle becomes Black Brazil Brazilian calls characters cinema civilization colonial colonialist Columbus contemporary countries critical critique cultural dance desire discourse diverse documentary dominant Egyptian esthetic ethnic Eurocentric Europe European evokes example female figure film film's filmmakers final force French gender groups Hollywood human identity images imperial Indian indigenous issues Jewish kind land language Latin less liberal Lives London look means metaphor movement multiculturalism narrative Native American nature North oppression orient Palestinian performers perspective play political popular positive practices present production question race racial racism recent relation represent representation resistance role seen sense sexual shows social society space speak spectator stereotypes story structure struggle studies suggests syncretism texts Third World tradition turned University Press voice West Western White woman women Xala York