Unthinking Eurocentrism: Multiculturalism and the MediaPsychology Press, 1994 - 405 من الصفحات "Unthinking Eurocentrism, a seminal and award-winning work in postcolonial studies first published in 1994, explored Eurocentrism as an interlocking network of buried premises, embedded narratives, and submerged tropes that constituted a broadly shared epistemology. Within a transdisciplinary study, the authors argued that the debates about Eurocentrism and post/coloniality must be considered within a broad historical sweep that goes at least as far back as the various 1492s: the Inquisition, the Expulsion of Jews and Muslims, the Conquest of the Americas, and the Transatlantic slave trade; a process which culminates in the post War attempts to radically decolonize global culture. Ranging over multiple geographies, the book deprovincialized media/cultural studies through a polycentric approach, while analysing in depth such issues as postcolonial hybridity, antinomies of Enlightenment, the tropes of empire, gender and rescue fantasies, the racial politics of casting, and the limitations of positive image analysis. The substantial new afterword in this 20th anniversary new edition brings these issues into the present by charting recent transformations of the intellectual debates, as terms such as the transnational, the commons, indigeneity, and the Red Atlantic have come to the fore. The afterword also explores some cinematic trends such as indigenous media and postcolonial adaptations that have gained strength over the past two decades, along with others, such as Nollywood, that have emerged with startling force. Winner of the Katherine Kovacs Singer Best Film Book Award, the book has been translated in full or in its entirety into diverse languages from Spanish to Farsi. This expanded edition of a ground-breaking text proposes analytical grids relevant to a wide variety of fields including postcolonial studies, literary studies, anthropology, media studies, cultural studies, and critical race studies"-- |
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الصفحة xv
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الصفحة xvi
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عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 1
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الصفحة 2
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الصفحة 5
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المحتوى
FROM EUROCENTRISM TO POLYCENTRISM | 13 |
Third World cinema | 28 |
123 | 33 |
The postcolonial and the hybrid | 37 |
Polycentric multiculturalism | 46 |
9 | 75 |
Other Francisco | 81 |
14 | 92 |
Mapping terra incognita | 145 |
Western | 152 |
STEREOTYPE REALISM AND THE STRUGGLE OVER | 178 |
ETHNICITIESINRELATION | 220 |
Erotic allegories | 230 |
The mutual illumination of cultures | 241 |
THE THIRD WORLDIST FILM | 248 |
ESTHETICS OF RESISTANCE | 292 |
Around the World in 80 Days and Simba | 106 |
250 | 116 |
2222 | 124 |
TROPES OF EMPIRE | 137 |
388 | |
394 | |
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عبارات ومصطلحات مألوفة
African African-American Algerian allegory Arab audience Battle of Algiers Battle of Chile becomes Black Brazil Brazilian calls camera cannibalism carnival chanchada characters cinema colonial colonialist Columbus conquest contemporary critical critique dance dialog diasporic discourse diverse documentary dominant Egyptian elite esthetic ethnic Eurocentric Europe European evokes example female feminist film's filmic filmmakers French gender global groups Gulf war harem hegemony Hollywood Hollywood films identity ideological images imperial Indian indigenous Israeli jazz Jewish Jews Kayapo land language Latin liberal Macunaíma metaphor Mexican multiculturalism narrative Native American neocolonial novel oppression Palestinian performers perspective play political popular culture portrayal portrayed positive postcolonial postmodern production protagonist race racial racism represent representation resistance role sense sequence sexual slave slavery social speak spectator spectatorship Stam stereotypes story struggle syncretism texts Third Cinema Third World Third Worldist tradition trope University Press voice Western White woman women Xala York