Andrei Tarkovsky’s Poetics of Cinema

الغلاف الأمامي
Cambridge Scholars Publishing, 11‏/05‏/2010 - 280 من الصفحات
“If you look for a meaning, you’ll miss everything that happens.”

Almost twenty-five years after the death of Andrei Tarkovsky, the mystery of his films remains alive and well. Recent years have witnessed an ever-increasing number of film theorists, critics and philosophers taking up the challenge to decipher what these films actually mean.

But what do these films actually show us?

In this study Thomas Redwood undertakes a close formal analysis of Tarkovsky’s later films. Charting the stylistic and narrative innovations in Mirror, Stalker, Nostalghia and The Sacrifice, Redwood succeeds in shedding new light on these celebrated but often misunderstood masterpieces of narrative film. Tarkovsky is revealed here both as a cinematic thinker and as an artistic practitioner, a filmmaker of immense poetic significance for the history of cinema.

 

الصفحات المحددة

المحتوى

INTRODUCTION
1
CHAPTER ONE
62
CHAPTER TWO
116
CHAPTER THREE
161
CHAPTER FOUR
200
APPENDIX A
240
APPENDIX B
242
APPENDIX C
246
APPENDIX D
247
APPENDIX E
249
APPENDIX F
250
FILMOGRAPHY AND BIBLIOGRAPHY
251
INDEX
258
حقوق النشر

طبعات أخرى - عرض جميع المقتطفات

Andrei Tarkovsky's Poetics of Cinema
<span dir=ltr>Thomas Redwood</span>‏
لا تتوفر معاينة - 2010
Andrei Tarkovsky's Poetics of Cinema
<span dir=ltr>Thomas Redwood</span>‏
لا تتوفر معاينة - 2016

عبارات ومصطلحات مألوفة

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نبذة عن المؤلف (2010)

Thomas Redwood received his doctoral degree in Screen Studies from Flinders University of South Australia. He teaches in European Studies at the University of Adelaide. This is his first book.

معلومات المراجع

العنوانAndrei Tarkovsky’s Poetics of Cinema
EBSCO ebook academic collection
المؤلفThomas Redwood
الناشرCambridge Scholars Publishing, 2010
رقم ISBN (الرقم الدولي المعياري للكتاب)144382240X, 9781443822404
عدد الصفحات280 من الصفحات
  
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