Writing Paris: Urban Topographies of Desire in Contemporary Latin American FictionSUNY Press, 01/01/1999 - 182 من الصفحات Exploring Paris as a desired and imagined place in Latin American postcolonial identity, Marcy E. Schwartz examines fiction by Julio Cortázar, Manuel Scorza, Alfredo Bryce Echenique, and Luisa Futoransky as she uncovers the city's class, gender, political, and aesthetic resonances for Latin America. |
المحتوى
Desiring Paris | 11 |
The Interstices of Desire | 27 |
The Immovable Feast | 63 |
On the Border | 89 |
Paris under Her Skin | 115 |
Epilogue | 145 |
Notes | 149 |
Bibliography | 165 |
179 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
aesthetic Alfredo Bryce Echenique arcades architecture Argentine artistic Axolotl Barcelona bohemian bolsillo Buenos Aires chapter characters cielo city's ciudad colonial contemporary Cortázar's Cortázar's fiction Cortázar's stories critique Cuello cuentos chinos danza inmóvil desire discourse Don Segundo Sombra Echenique's erotic Europe European exile exploits fantasy flâneur foreign fragments French Futoransky's García Canclini gender global intertextual Julio Cortázar La danza inmóvil language last novel Latin American cultural Latin American fiction Latin American intellectuals Latin American writing Laura Leftist Libro de Manuel Lima linguistic literary capital literature Manuel Scorza Manuscrito hallado marginal Marie Claire Martín Romaña metafictional métro modern modernista movement mundo narrative narrator narrator/protagonist novelistic Octavia París Paris construct Paris's Parisian perseguidor Peruvian Pobre gente political postcolonial protagonist publishing Rayuela realms revolutionary role Santiago Sarmiento scene semiotic sensual sexual short fiction signs Spanish structure struggles subway texts textual tion transnational underscores urban space visual zones
مقاطع مشهورة
الصفحة 8 - these words operate in the name of an emptying-out and wearing-away of their primary role. They become liberated spaces that can be occupied. A rich indetermination gives them, by means of a semantic rarefaction, the function of articulating a second, poetic geography on top of the geography of the literal, forbidden or permitted meaning.