soul which remains unalterably the same, perhaps for one moment The mind is a kind of theatre, where several perceptions successively make their appearance; pass, repass, glide away and mingle in an infinite variety of postures and situations. The Principles of Psychology - الصفحة 336بواسطة William James - 1890عرض كامل - لمحة عن هذا الكتاب
| David Hume - 1826 - عدد الصفحات: 508
...nor is there any ""'"other"' single power of the soul, which remains unalterably i"i^!™)uiiy f *-he same, perhaps for one moment. The mind is a kind of...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different, whatever natural propension... | |
| Dugald Stewart - 1858 - عدد الصفحات: 556
...succeed each other with an inconceivable rapidity, and are in a perpetual flux and movement. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different ; whatever natural propension... | |
| 1865 - عدد الصفحات: 728
...lying behind phenomena, either sensible or mental. " The mind is a kind of theatre," says Mr. Hume, " where several perceptions successively make their...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different; whatever natural propension... | |
| Charles Beard - 1865 - عدد الصفحات: 736
...lying behind phenomena, either sensible or mental. " The mind is a kind of theatre," says Mr. Hume, " where several perceptions successively make their...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different; whatever natural propension... | |
| Robert Chambers - 1870 - عدد الصفحات: 650
...man's consciousness of his own identity is a similar series of impressions. "The mind, says the author, "is a kind of theatre, where several perceptions successively...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different, whatever natural propension... | |
| William Jackson - 1874 - عدد الصفحات: 436
...catch myself at anytime without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different; whatever natural propension... | |
| William Jackson - 1875 - عدد الصفحات: 420
...catch myself at any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different ; whatever natural propension... | |
| William Jackson - 1875 - عدد الصفحات: 452
...catch myself at any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different; whatever natural propension... | |
| Robert Chambers - 1875 - عدد الصفحات: 608
...consciousness of his own identity is a similar series of impressions. "The mind," 'says the author, "is a kind of theatre, where several perceptions successively...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different, whatever natural propension... | |
| Thomas Henry Huxley - 1879 - عدد الصفحات: 228
...succeed one another with an inconceivable rapidity, and are in a perpetual flux and movement. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different, whatever natural propension... | |
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