Arab, Muslim, Woman: Voice and Vision in Postcolonial Literature and FilmRoutledge, 14/05/2008 - 208 من الصفحات Given a long history of representation by others, what themes and techniques do Arab Muslim women writers, filmmakers and visual artists foreground in their presentation of postcolonial experience? Lindsey Moore’s groundbreaking book demonstrates ways in which women appropriate textual and visual modes of representation, often in cross-fertilizing ways, in challenges to Orientalist/colonialist, nationalist, Islamist, and ‘multicultural’ paradigms. She provides an accessible but theoretically-informed analysis by foregrounding tropes of vision, visibility and voice; post-nationalist melancholia and mother/daughter narratives; transformations of ‘homes and harems’; and border crossings in time, space, language, and media. In doing so, Moore moves beyond notions of speaking or looking ‘back’ to encompass a diverse feminist poetics and politics and to emphasize ethical forms of representation and reception. Aran, Muslim, Woman is distinctive in the eclectic body of work that it brings together. Discussing Algeria, Egypt, Jordan, Lebanon, Morocco, the Palestinian territories, and Tunisia, as well as postcolonial Europe, Moore argues for better integration of Arab Muslim contexts in the postcolonial canon. In a book for readers interested in women's studies, history, literature, and visual media, we encounter work by Assia Djebar, Mona Hatoum, Fatima Mernissi, Ahlam Mosteghanemi, Nawal el Saadawi, Leila Sebbar, Zineb Sedira, Ahdaf Soueif, Moufida Tlatli, Fadwa Tuqan, and many other women. |
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... novels bytheyear ofAlgerian independence: LaSoif (1957), Les Impatients(1958), andLes Enfants dunouveau monde (1962, trans. Childrenof the New World), the latterof which isthe earliest postcolonial literary text engaged here (inChapter ...
... novel Nisanit (1987): The [American Penguin] cover featuresthe image of a woman completely draped in black,set against anexpanse of geometric tile. Theimagehasacurious familiarity—that of the veiled, faceless Arabwoman,her body ...
... invent. Inorder to make my reader forgetthat I am aqasir,a minor, Ihave sometimes toyed with the idea of writing undera male pseudonym. Letme mentionhere a very wellknown critic who wrote an article about my novel, The Stone of.
... novel, The Stone of Laughter, in one of the most widely sold Arab newspapers. He praised it in a way that meant that althoughI wasa woman Ihad succeeded in writing a good novel and had not sunk tothe levelof the mechanical writing of ...
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