Critique of Exotica: Music, Politics and the Culture IndustryIn this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses ‘world’ music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress. |
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الصفحة 28
Music, Politics and the Culture Industry John Hutnyk. Womad , even at the very moment when it is the technological extension of market economies that is the ground of possibility upon which it is staged .
Music, Politics and the Culture Industry John Hutnyk. Womad , even at the very moment when it is the technological extension of market economies that is the ground of possibility upon which it is staged .
الصفحة 49
Music, Politics and the Culture Industry John Hutnyk. Adorno would give this critique some kind of grounding - otherwise this is just a another free - floating intellectual tarot game ready to be re- absorbed - like our concepts of ...
Music, Politics and the Culture Industry John Hutnyk. Adorno would give this critique some kind of grounding - otherwise this is just a another free - floating intellectual tarot game ready to be re- absorbed - like our concepts of ...
الصفحة 116
Music, Politics and the Culture Industry John Hutnyk ... as it is deployed in discussions of South Asian popular culture and music performance made in these zones - the now also overly codified cultural industry's ' Asian ' turn .
Music, Politics and the Culture Industry John Hutnyk ... as it is deployed in discussions of South Asian popular culture and music performance made in these zones - the now also overly codified cultural industry's ' Asian ' turn .
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academic activity Adorno anti-racism anti-racist appropriation attack audience authenticity band become Britain British called campaign capital capitalist celebration Chapter Communist considered contemporary context continues course critical critique cultural cultural politics dance debate defence difference discussion economic especially ethnic example force forms Fun^da^mental Gilroy global groups hybridity identity imperialism important India industry interests issues labour live London Marx Marxism means move movement Naxalite offers organised Party performance perhaps play police politics popular possible postcolonial practice present Press production question race racism record reference relations remains requires response revolutionary seems social sound South Asian space Spartacist League specific Spivak struggle studies suggests things track transnational University violence visibility Womad workers writing youth