Critique of Exotica: Music, Politics and the Culture IndustryIn this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses ‘world’ music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress. |
من داخل الكتاب
النتائج 1-3 من 35
الصفحة 18
From Community Consultation / Confrontation with the Police at Longsight over Amer Rafiq ( see Chapter 6 ) to disruptive enthusiasms at academic conferences such as the British Sociological Association meetings ( especially the one in ...
From Community Consultation / Confrontation with the Police at Longsight over Amer Rafiq ( see Chapter 6 ) to disruptive enthusiasms at academic conferences such as the British Sociological Association meetings ( especially the one in ...
الصفحة 112
I have travelled to India many times and have been influenced greatly by its people and philosophy , especially that of Bhakti or devotional love . It is my love of Indian culture , and its artistry , music , rich iconography and ...
I have travelled to India many times and have been influenced greatly by its people and philosophy , especially that of Bhakti or devotional love . It is my love of Indian culture , and its artistry , music , rich iconography and ...
الصفحة 149
In the metropolitan scene migrancy studies did make an object of first migrants , in the 1970s , and then the renamed diasporic population , especially in the late 1980s and 1990s , but with certain occlusions even here .
In the metropolitan scene migrancy studies did make an object of first migrants , in the 1970s , and then the renamed diasporic population , especially in the late 1980s and 1990s , but with certain occlusions even here .
ما يقوله الناس - كتابة مراجعة
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
academic activity Adorno anti-racism anti-racist appropriation attack audience authenticity band become Britain British called campaign capital capitalist celebration Chapter Communist considered contemporary context continues course critical critique cultural cultural politics dance debate defence difference discussion economic especially ethnic example force forms Fun^da^mental Gilroy global groups hybridity identity imperialism important India industry interests issues labour live London Marx Marxism means move movement Naxalite offers organised Party performance perhaps play police politics popular possible postcolonial practice present Press production question race racism record reference relations remains requires response revolutionary seems social sound South Asian space Spartacist League specific Spivak struggle studies suggests things track transnational University violence visibility Womad workers writing youth
معلومات المراجع
| العنوان | Critique of Exotica: Music, Politics and the Culture Industry |
| المؤلف | John Hutnyk |
| الناشر | Pluto Press, 2000 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 4 تشرين الثاني (نوفمبر) 2008 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 0745315542, 9780745315546 |
| عدد الصفحات | 261 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |