| Henry M. Sayre - 1989 - عدد الصفحات: 328
...difference, we can begin to locate postmodern art as a whole. Feminism and the Art of the Seventies I met a happy man a structuralist filmmaker . . ....at the personal clutter the persistence of feelings the hand-touch sensibility the diaristic indulgence the painterly mess . . . he told me he had lived... | |
| Frederick Garber - 2010 - عدد الصفحات: 256
...structuralist filmmaker" who is far less self-aware, less self-ironic, than the London psychiatrist: he said we are fond of you you are charming but don't...at the personal clutter the persistence of feelings the hand-touch sensibility the diaristic indulgence the painterly mess the dense gestalt the primitive... | |
| B. Ruby Rich - 1998 - عدد الصفحات: 452
...critique of her own work by a "male structuralist filmmaker" who had damned her with faint praise: "we are fond of you /you are charming /but don't ask.../the personal clutter /the persistence of feelings / the hand-touch sensibility/the diaristic indulgence /the painterly mess /the dense gestalt/ the primitive... | |
| Philip Auslander - 2003 - عدد الصفحات: 488
...255 I met a happy man a structuralist filmmaker - but don't call me that, it's something else I do he said we are fond of you you are charming but don't...at the personal clutter the persistence of feelings the hand-touch sensibility the diaristic indulgence the painterly mess the dense gestalt the primitive... | |
| Carolee Schneemann - 2003 - عدد الصفحات: 366
...I met a happy man a structuralist filmmaker — but don't call me that it's something else I do — he said we are fond of you you are charming but don't...at the personal clutter the persistence of feelings the hand-touch sensibility the diaristic indulgence the painterly mess the dense gestalt the primitive... | |
| Jane Blocker - 2004 - عدد الصفحات: 334
...vagina. As she pulled it slowly from her body, she read its text, of which the following is an excerpt: I met a happy man a structuralist filmmaker . . ....at the personal clutter the persistence of feelings the hand-touch sensibility the diaristic indulgence the painterly mess the dense gestalt the primitive... | |
| Lisa Saltzman, Eric M. Rosenberg - 2006 - عدد الصفحات: 310
...(Fall 1990), pp. 32-37. On Embodiment, Victimization, and the Origins of Feminist Art1 ANNA C. CHAVE I met a happy man a structuralist filmmaker[ . he...at the personal clutter the persistence of feelings the hand-touch sensibility the diaristic indulgence [ . . he said you can do as I do take one clear... | |
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