Sociocultural and Historical Contexts of African American EnglishSonja L. Lanehart John Benjamins Publishing Company, 2001 - 371 من الصفحات This volume, based on presentations at a 1998 state of the art conference at the University of Georgia, critically examines African American English (AAE) socially, culturally, historically, and educationally. It explores the relationship between AAE and other varieties of English (namely Southern White Vernaculars, Gullah, and Caribbean English creoles), language use in the African American community (e.g., Hip Hop, women's language, and directness), and application of our knowledge about AAE to issues in education (e.g., improving overall academic success). To its credit (since most books avoid the issue), the volume also seeks to define the term 'AAE' and challenge researchers to address the complexity of defining a language and its speakers. The volume collectively tries to help readers better understand language use in the African American community and how that understanding benefits all who value language variation and the knowledge such study brings to our society. |
من داخل الكتاب
النتائج 1-3 من 3
الصفحة 196
... KRS - One is from the Bronx . KRS - One is considered a significant figure in Hip Hop Table 2. Artists and recordings No. of No. Artist Album 196 Marcyliena Morgan.
... KRS - One is from the Bronx . KRS - One is considered a significant figure in Hip Hop Table 2. Artists and recordings No. of No. Artist Album 196 Marcyliena Morgan.
الصفحة 197
... KRS - One I Got Next East 1997 20 13 KRS - One 1995 14 8 Return of the Boom Bap 1993 14 9 R༦༠ ཛཿ ཛཿ ཤྩ ⌘ སྦྲུསཿ ཇུ རེ g 80 46 65 64 Totals 18 254 224 and East Coast Hip Hop in particular . Jay - Z's 1998 recordings are actually two ...
... KRS - One I Got Next East 1997 20 13 KRS - One 1995 14 8 Return of the Boom Bap 1993 14 9 R༦༠ ཛཿ ཛཿ ཤྩ ⌘ སྦྲུསཿ ཇུ རེ g 80 46 65 64 Totals 18 254 224 and East Coast Hip Hop in particular . Jay - Z's 1998 recordings are actually two ...
الصفحة 204
... ( KRS One ) . ( 14 ) I gots to live ( Ice Cube ) . 10. Conclusion Ain't nothin ' but a G thang , baaaaabay ! Two loc'ed out G's so we're craaaaazay ! Death Row is the label that paaaaays me ! Unfadable , so please don't try to fade this ...
... ( KRS One ) . ( 14 ) I gots to live ( Ice Cube ) . 10. Conclusion Ain't nothin ' but a G thang , baaaaabay ! Two loc'ed out G's so we're craaaaazay ! Death Row is the label that paaaaays me ! Unfadable , so please don't try to fade this ...
المحتوى
What is African American English? | 21 |
The relationship between African American Vernacular English | 53 |
The relationship between the evolution | 93 |
حقوق النشر | |
10 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
AAE speakers AAVE and SWVE AAWL Aceyalone African Ameri African American children African American community African American English African American speech African American students African American Vernacular African American women ain't American Vernacular English artists basilectal behavior Black English call-and-response classroom clusters code-switching consonant context copula absence creole Creole Languages Cukor-Avila cultural dialect discourse EBE LS EBE McR Ebonics educational European American example Fasold grammatical features Gullah Guy Bailey had+past Hip Hop Hip Hop culture History interview issues Jamaican Creole Jay-Z John Baugh KRS-One Labov language variety linguistic marker meaning Mesolect Mufwene norms patterns phonological pronoun reading recordings relationship Rickford Salikoko shout shout'n slaves Smitherman social sociohistorical sociolinguistic South Southern speak speech community Springville structural teacher Texas tion urban variation varieties of English verb verbal volume vowel waitress White vernaculars Wolfram words zero copula