Unthinking Eurocentrism: Multiculturalism and the MediaUnthinking Eurocentrism explores issues of Eurocentrism and multiculturalism in relation to popular culture, film and the mass media. The book 'multiculturalizes' media studies by looking at Hollywood movie genres such as the western, the musical and the imperial film from multicultural perspectives, examining issues from the racial politics of casting to colonialist discourse and gender and Empire. More than just a critique of Eurocentrism and racism, Unthinking Eurocentrism also confirms artistic, cultural and political alternatives, discussing a wide range of non-Eurocentric media including Third World films, rap video and indigenous media. Synthesising literary theory, meida theory and cultural studies to form a challenging interdisciplinary study, the authors argue that current debatess about Eurocentrism and Afrocentrism are merely surface manifestations of a deep-rooted shift: the decolonisation of global culture. |
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
INTRODUCTION | 1 |
peoples of the world | 12 |
FROM EUROCENTRISM TO POLYCENTRISM | 13 |
Around the World in 80 Days and Simba King of the Beasts | 15 |
Sanders of the River and Beau Geste | 17 |
23 | 19 |
Iracema | 33 |
the Kayapo | 36 |
the racial dialectics of presenceabsence | 225 |
Fred Astaire and Leroy Daniels in The Band Wagon | 228 |
Grande Otelo in Its All True | 233 |
THE THIRD WORLDIST FILM | 248 |
passing the checkpoint in The Battle of Algiers | 255 |
Barren Lives | 258 |
Che Guevara in death | 266 |
Marriage and commodity fetishism in Sembenes Xala | 276 |
FORMATIONS OF COLONIALIST DISCOURSE | 55 |
25 | 59 |
The Conquest of Paradise | 65 |
Columbus on Trial Cabral discovers Brazil in Land in Anguish The hallucinatory conquistador in O No Coronado | 74 |
The shadow of the conquest in Surviving Columbus Green Card artwork by Inigo ManglanoOvalle Columbus on Trial | 75 |
Crispin in The Other Francisco | 81 |
Crusoe and Friday in The Adventures of Robinson Crusoe | 83 |
THE IMPERIAL IMAGINARY | 100 |
Indiana Jones and the Temple of Doom | 124 |
Peter Jennings Striding the world like a Colossus | 127 |
TROPES OF EMPIRE | 137 |
Josephine Baker in Zou | 138 |
Carmen Miranda as fertility goddess in The Gangs All Here | 139 |
Cleopatra 1934 | 144 |
Western | 152 |
amplifying the voices on the margins of the Egyptological texts | 155 |
from Rudolph Valentino to Elvis Presley | 162 |
Lawrence of Arabia and Sahara | 167 |
STEREOTYPE REALISM AND THE STRUGGLE OVER | 178 |
History whitewashed in Mississippi Burning | 179 |
John Wayne in The Searchers The vision of the dominated Wiping the Tears of Seven Generations | 194 |
MERKEZLER 33 | 197 |
36 | 199 |
Val Kilmer in Thunderheart | 207 |
55 | 214 |
ETHNICITIESINRELATION | 220 |
the contradictions of filming misery | 280 |
Alexandra Why ? | 284 |
ESTHETICS OF RESISTANCE | 292 |
ToukiBouki | 294 |
Sankofa and Daughters of the Dust | 297 |
How Tasty Was My Frenchman and King Solomons Mines 1985 | 308 |
Border Brujo | 313 |
Homage by Assassination and Measures of Distance | 320 |
65 | 322 |
Renee Greens Hottentot Venus and Coco FuscoGomez Peñas Two Undiscovered Amerindians | 323 |
74 | 326 |
75 | 329 |
Babakiueria Slaying the Dragon and Introduction to the End of an Argument | 330 |
Select bibliography | 363 |
376 | |
379 | |
380 | |
385 | |
386 | |
395 | |
397 | |
399 | |
401 | |
405 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
African Algiers Arab become Black Brazilian British calls characters cinema civilization colonial colonialist Columbus communities conquest contemporary countries critical critique cultural desire discourse diverse dominant Egyptian empire esthetic ethnic Eurocentric Europe European example female figure film filmmakers final forced French gender global groups Hollywood human identity images imperial Indian indigenous issues kind land language Latin less liberal linked lives London male means multiculturalism narrative Native American nature North novel oppression orient origins performers perspective play political popular positive postcolonial practices present production progress question race racial racism recent relation represent representation resistance role seen sense sexual shows slave social society South space speak spectator stereotypes story structures struggle studies suggests texts Third World tradition trope University Press voice West Western White woman women writing York