Politics and Aesthetics in the ArtsSalim Kemal, Ivan Gaskell Cambridge University Press, 24/02/2000 - 268 من الصفحات This volume brings together essays from distinguished scholars in a variety of disciplines - philosophy, history, literary studies, art history - to explore various ways in which aesthetics, politics and the arts interact with one another. Politics is an elastic concept, covering an oceanic breadth of mechanisms for conducting relations between empowered groups, and these essays offer a range of perspectives, including nations, classes, and gendered subjects, which examine the imbrication of politics with arts. Together they demonstrate the need to counteract the reductionist view of the relationship between politics and the arts which prevails in different ways in both philosophy and critical theory, and suggest that the irreducibility of the aesthetic must prompt us to reconceive the political as it relates to human cultural activity. |
المحتوى
politics form and | 11 |
civic humanism 50 69 | 50 |
Travelers colonizers and the aesthetics of self 85 | 85 |
The aesthetics of nationalism and the limits of culture | 112 |
class cultural aspiration and the | 140 |
Virginia Woolf and the temper | 174 |
art | 204 |
the case | 221 |
| 264 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Adorno aesthetic aesthetic judgment aestheticization aesthetics and politics anger Antoine Etex argues art and politics art-politics art's artisan artists artwork autonomy of art beauty Biennial Bildung called Cambridge censorship Cindy Sherman civic humanism claim cognitive compagnonnage conception constitute creolization critical Critique of Judgment culture Diderot drama effect Elizabethan theatre Essays Essex ethical example experience Gadamer Gadamer's grammar Ibid ideal identity ideological imagined interpretation issues Jacques Rancière justice as fairness Kant Kant's Kantian L'Atelier labor language London Lord Lord Chamberlain's Men Lyotard means modern art modernist moral nationalism nationalist nature object Œuvres Paris Perdiguier performance philosophical play players pluralism political art political autonomy popular postmodern practice production professional question racism Rawls Rawls's reason relation relationship response Richard II sense sensus communis Shakespeare's social sublime taste theatrical theory tion tradition trans truth University Press Virginia Woolf Whitney Biennial worker York