The Elements of Psychology: A Text-bookSheldon, 1888 - 419 من الصفحات |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acquired action activity affirmations Agnosticism Alexander Bain association of ideas Auguste Comte body brain called cause cerebral cerebrum color conception connection consciousness definite distinguished doctrine Education effect elements emotion excited existence experience explain external facts faculties feeling Figure German habit Hamilton Herbert Spencer human ical Illusions images Imagination impressions instinct Intellect J. S. Mill John Stuart Mill knowledge known Laws of Association learner Memory mental mind mode movement nature nerve nervous organism ness objects observe optic nerve pain papillæ perceive perception person Phantasy phenomena philosopher physical physiological Physiological Psychology pleasure present produced psychical Psychology reality referred Reflective Self-consciousness relation representative ideas reproduce ideas result retina says sciousness Sect SECTION sensations sense sense-impressions sense-organs Sense-perception Sentience sight simply smell sometimes soul soul's space taste theory things Thomas Reid thought tion touch truth unity vision volition word
مقاطع مشهورة
الصفحة 117 - Horatio; a fellow of infinite jest, of most excellent fancy. He hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
الصفحة 210 - We live in deeds, not years; in thoughts, not breaths; In feelings, not in figures on a dial. We should count time by heart-throbs. He most lives Who thinks most — feels the noblest — acts the best.
الصفحة 56 - It was when laying down his book, and passing into this hall, through which the moon was beginning to shine, that the individual of whom I speak saw, right before him, and in a standing posture, the exact representation of his departed friend whose recollection had been so strongly brought to his imagination. He stopped for a single moment, so as to notice the wonderful accuracy with which fancy had impressed upon the bodily eye the peculiarities of dress and posture of the illustrious poet. Sensible,...
الصفحة 117 - The fancy sees the outside, and is able to give a portrait of the outside, clear, brilliant, and full of detail. The imagination sees the heart and inner nature, and makes them felt, but is often obscure, mysterious, and interrupted, in its giving of outer detail.
الصفحة 214 - The baby new to earth and sky, What time his tender palm is prest Against the circle of the breast, Has never thought that 'this is I : ' But as he grows he gathers much, And learns the use of ' I,' and ' me,' And finds ' I am not what I see, And other than the things I touch.
الصفحة 86 - ... 1. Illumination. — Is the image dim or fairly clear? Is its brightness comparable to that of the actual scene? " '2. Definition. — Are all the objects pretty well defined at the same time, or is the place of sharpest definition at any one moment more contracted than it is in a real scene? " '3. Colouring. — Are the colours of the china, of the toast, bread-crust, mustard, meat, parsley, or whatever may have been on the table, quite distinct and natural?
الصفحة 16 - For my part when I enter most intimately into what I call myself, I always stumble on some particular perception or other, of heat or cold, light or shade, love or hatred, pain or pleasure. I never can catch myself at any time without a perception, and never can observe anything but the perception.
الصفحة 182 - To say that we cannot know the Absolute, is, by implication, to affirm that there is an Absolute. In the very denial of our power to learn what the Absolute is, there lies hidden the assumption that it is ; and the making of this assumption proves that the Absolute has been present to the mind, not as a nothing, but as a something.
الصفحة 185 - But when one particular species of event has always, in all instances, been conjoined with another, we make no longer any scruple of foretelling one upon the appearance of the other, and of employing that reasoning, which can alone assure us of any matter of fact or existence. We then call the one object, CAUSE ; the other, EFFECT.
الصفحة 91 - I took the man and sat him in the chair, where I saw him as distinctly as if he had been before me in his own proper person — I may almost say more vividly. I looked from time to time at the imaginary figure, then worked with my pencil, then referred to the countenance, and so on, just as I should...