Kate Bush and Hounds of LoveAshgate, 2007 - 148 من الصفحات Kate Bush is widely respected as one of the most unique solo female performers to have ever emerged in the field of popular music. She has achieved that rare combination of great commercial success and critical acclaim, with Hounds of Love considered widely to be her masterpiece. The album regularly features in 'best album' lists, and in the 2004 Observer poll was the highest placed work by a solo female artist. The album allows the author, Ron Moy, the critical opportunity to explore a wide range of issues relating to technology, production, authorship, grain of the voice, iconography, critical and commercial impact, collaboration, gender, sexuality, narrative, and social and cultural context. |
من داخل الكتاب
النتائج 1-3 من 22
الصفحة 13
... Studios ' two principal spaces - Studio Two for the main band tracks , and the larger Studio One for the orchestral parts ( Jovanovic , 2005 : 57 ) . ' Moving ' ' Moving ' does what any opening track on a debut album should do : it ...
... Studios ' two principal spaces - Studio Two for the main band tracks , and the larger Studio One for the orchestral parts ( Jovanovic , 2005 : 57 ) . ' Moving ' ' Moving ' does what any opening track on a debut album should do : it ...
الصفحة 35
... studio . Even for an artist who had achieved great wealth , the cost of recording in state - of - the - art recording studios was considerable . By the 1980s , EMI's Abbey Road was charging £ 90 per hour for the use of its facilities ...
... studio . Even for an artist who had achieved great wealth , the cost of recording in state - of - the - art recording studios was considerable . By the 1980s , EMI's Abbey Road was charging £ 90 per hour for the use of its facilities ...
الصفحة 76
... studio now . I know what I should hear . The reaction to me explaining what I want in the studio was amusement , to a certain extent . They were all taking the piss out of me a bit . ( Bush , in Doherty , 1978b ) . In addition , Powell ...
... studio now . I know what I should hear . The reaction to me explaining what I want in the studio was amusement , to a certain extent . They were all taking the piss out of me a bit . ( Bush , in Doherty , 1978b ) . In addition , Powell ...
المحتوى
Her Early Work | 11 |
Hounds of Love | 35 |
Her Later Work | 105 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
accompaniment acoustic addition Aerial aesthetic artist auteur auteur theory authorial authorship backing track bass Björk Bush's chords chorus cinema classic Cloudbusting collaborators commercial conceptual connotations creative critical dance David Gilmour debut Del Palmer Despite Dreaming drum echoes effective elements emotional English ethnic example Fairlight feel female film gender genre guitar Hounds of Love huge ibid imbued influences instrumental interviews Irish Jovanovic Kate Bush Kick Inside Kruse Lionheart lyric Madonna male melisma melody Michael Kamen mime mood move musicians narrative nature never Ninth Wave overall Palmer particularly performance Peter Gabriel piano playing pop video popular music previous album previous track producer reached number Red Shoes referenced relationship release role samples Sensual World sequence singing single Skinner solo song sonic sound standardised structure studio style success Sutcliffe symbolic terrain textures timbres title track tradition Trio Bulgarka verse visual vocal voice whilst Whiteley Wuthering Heights