Hemingway, Style, and the Art of EmotionCambridge University Press, 15/09/2015 In Hemingway, Style, and the Art of Emotion, David Wyatt shows that the work of Ernest Hemingway is marked more by vulnerability and deep feeling than by the stoic composure and ironic remove for which it is widely known. This major reassessment of the shape of Hemingway's career recovers the soul of the author's work, revealing him as a multifaceted writer rather than a cold, static icon. Wyatt claims that Hemingway's famous early style does not embrace emotional reticence but works instead to measure the cost of keeping thoughts and feelings under the surface. By the early 1930s Hemingway also turned away from the art of 'the omitted' and began to develop a vision and style more accommodating of the awkwardness and embarrassments of everyday life. Relying on a thorough knowledge of the vast archive Hemingway left behind at his death, this book shows Hemingway as a thoroughly complex and transmutable figure. |
المحتوى
Indian Camp | 13 |
In Our Time and in our time | 27 |
The Sun Also Rises | 47 |
A Farewell to Arms | 63 |
A Farewell to Arms and Now I Lay Me | 81 |
Death in the Afternoon | 99 |
Green Hills of Africa | 117 |
The Short Happy Life of Francis | 133 |
For Whom the Bell Tolls | 162 |
The Old Man and the Sea | 179 |
The Garden of Eden | 197 |
The Garden of Eden and A Moveable Feast | 212 |
Scattered Papers | 233 |
259 | |
267 | |
For Whom the Bell Tolls | 147 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
ahead asks awkwardness becomes beginning Bell Tolls Big Two-Hearted River Brett bull bullfight Catherine Catherine’s chapter character David Bourne death elephant embarrassment emotion Ernest Hemingway experience Farewell to Arms father feeling felt fiction final Finca Vigía finds fish Fitzgerald Frederic Frederic’s FWBT Garden of Eden GHOA Green Hills Hadley hand happened happy Hemingway wrote Hemingway’s early Hills of Africa hunt Ibid imagination Indian Camp Jake Jake’s JK/EH Kennedy Library killed letter live looking Maera man’s manuscript Margot Maria matador Max Perkins MF-RE mind Moveable Feast narrator never Nick Adams Nick Adams Stories Nick’s novel omitted once opening paragraph passage Pauline Pilar pleasure reader reading remember remorse Restored Edition Reynolds Robert Jordan Santiago says scene sense sentence story Sun Also Rises talk tells things thought uncanny wife Wilson word wound writing young