Unthinking Eurocentrism: Multiculturalism and the MediaPsychology Press, 1994 - 405 من الصفحات Unthinking Eurocentrism explores issues of Eurocentrism and multiculturalism in relation to popular culture, film and the mass media. The book 'multiculturalizes' media studies by looking at Hollywood movie genres such as the western, the musical and the imperial film from multicultural perspectives, examining issues from the racial politics of casting to colonialist discourse and gender and Empire. More than just a critique of Eurocentrism and racism, Unthinking Eurocentrism also confirms artistic, cultural and political alternatives, discussing a wide range of non-Eurocentric media including Third World films, rap video and indigenous media. Synthesising literary theory, meida theory and cultural studies to form a challenging interdisciplinary study, the authors argue that current debatess about Eurocentrism and Afrocentrism are merely surface manifestations of a deep-rooted shift: the decolonisation of global culture. |
من داخل الكتاب
النتائج 6-10 من 81
الصفحة 6
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الصفحة 10
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الصفحة 13
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الصفحة 16
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الصفحة 22
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المحتوى
INTRODUCTION | 1 |
FROM EUROCENTRISM TO POLYCENTRISM | 13 |
Iracema | 33 |
the Kayapo | 36 |
FORMATIONS OF COLONIALIST DISCOURSE | 55 |
The Discovery of Brazil | 65 |
Columbus on Trial | 74 |
The shadow of the conquest in Surviving Columbus | 75 |
STEREOTYPE REALISM AND THE STRUGGLE OVER | 178 |
History whitewashed in Mississippi Burning | 179 |
Val Kilmer in Thunderheart | 207 |
ETHNICITIESINRELATION | 220 |
the racial dialectics of presenceabsence | 225 |
Fred Astaire and Leroy Daniels in The Band Wagon | 228 |
Grande Otelo in Its All True | 233 |
THE THIRD WORLDIST FILM | 248 |
Crispin in The Other Francisco | 81 |
Crusoe and Friday in The Adventures of Robinson Crusoe | 83 |
peoples of the world | 92 |
THE IMPERIAL IMAGINARY | 100 |
Around the World in 80 Days and Simba King of the Beasts | 106 |
Sanders of the River and Beau Geste | 111 |
John Wayne in The Searchers | 116 |
Wiping the Tears of Seven Generations | 117 |
Indiana Jones and the Temple of Doom | 124 |
Peter Jennings Striding the world like a Colossus | 127 |
TROPES OF EMPIRE | 137 |
Josephine Baker in Zou Zou | 138 |
Carmen Miranda as fertility goddess in The Gangs All Here | 139 |
Cleopatra 1934 | 144 |
Western | 152 |
amplifying the voices on the margins of the Egyptological texts | 155 |
from Rudolph Valentino to Elvis Presley | 162 |
Lawrence of Arabia and Sahara | 167 |
passing the checkpoint in The Battle of Algiers | 255 |
Barren Lives | 258 |
Che Guevara in death | 266 |
Marriage and commodity fetishism in Sembenes Xala | 276 |
the contradictions of filming misery | 280 |
Alexandra Why ? | 284 |
ESTHETICS OF RESISTANCE | 292 |
ToukiBouki | 294 |
Sankofa and Daughters of the Dust | 297 |
How Tasty Was My Frenchman and King Solomons Mines 1985 | 308 |
Border Brujo | 313 |
Homage by Assassination and Measures of Distance | 320 |
Renee Greens Hottentot Venus and Coco FuscoGomez Peñas Two Undiscovered Amerindians | 323 |
Babakiueria Slaying the Dragon and Introduction to the End of an Argument | 330 |
Select bibliography | 363 |
| 380 | |
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African African-American Algerian allegory Arab Battle of Algiers Battle of Chile become Black Brazil Brazilian British calls camera cannibalism characters cinema civilization colonial colonialist discourse Columbus conquest contemporary critical critique dialog diverse documentary dominant Egypt Egyptian empire esthetic ethnic Eurocentric Europe European evokes example Fanon fantasies female feminist film's filmmakers French Ganga Zumba gender global groups Gulf war harem hierarchies Hollywood Hollywood films hybridity identity ideological images imperial Indian indigenous Jewish Jews Kayapo land language Latin liberal London Macunaíma male metaphor multiculturalism narrative Native American neocolonial novel oppression orient Palestinian performers perspective play political popular culture portrayal portrayed positive postcolonial postmodern production protagonist race racial racism rape represent representation resistance role sense sexual Shohat slave slavery social speak spectator stereotypes story struggle syncretism texts Third Cinema Third World tradition trope University Press voice West Western White woman women York