Unthinking Eurocentrism: Multiculturalism and the MediaPsychology Press, 1994 - 405 من الصفحات Unthinking Eurocentrism explores issues of Eurocentrism and multiculturalism in relation to popular culture, film and the mass media. The book 'multiculturalizes' media studies by looking at Hollywood movie genres such as the western, the musical and the imperial film from multicultural perspectives, examining issues from the racial politics of casting to colonialist discourse and gender and Empire. More than just a critique of Eurocentrism and racism, Unthinking Eurocentrism also confirms artistic, cultural and political alternatives, discussing a wide range of non-Eurocentric media including Third World films, rap video and indigenous media. Synthesising literary theory, meida theory and cultural studies to form a challenging interdisciplinary study, the authors argue that current debatess about Eurocentrism and Afrocentrism are merely surface manifestations of a deep-rooted shift: the decolonisation of global culture. |
من داخل الكتاب
النتائج 1-5 من 41
الصفحة i
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة ix
... paradigm The late imperial film Postmodern war 4 TROPES OF EMPIRE Adams in the virgin land Mapping terra incognita 71 77 82 85 100 101 104 109 114 121 125 137 141 145 Excavating the dark continent Mummies and Egyptology Rape and the ix.
... paradigm The late imperial film Postmodern war 4 TROPES OF EMPIRE Adams in the virgin land Mapping terra incognita 71 77 82 85 100 101 104 109 114 121 125 137 141 145 Excavating the dark continent Mummies and Egyptology Rape and the ix.
الصفحة x
... subversions 301 Modernist anthropophagy 306 Syncretism as artistic strategy 312 Paradigms of looks The poetics of disembodiment Media jujitsu 317 321 327 9 THE POLITICS OF MULTICULTURALISM IN THE POSTMODERN AGE 337 X CONTENTS.
... subversions 301 Modernist anthropophagy 306 Syncretism as artistic strategy 312 Paradigms of looks The poetics of disembodiment Media jujitsu 317 321 327 9 THE POLITICS OF MULTICULTURALISM IN THE POSTMODERN AGE 337 X CONTENTS.
الصفحة xi
... POSTMODERN AGE 337 Popular culture and political correctness 339 Self - representation and the politics of identity 341 Negotiating spectatorship 346 Select bibliography 362 Index 380 PLATES 6 7 8 9 10 11 Frontispiece Color Schemes xi ...
... POSTMODERN AGE 337 Popular culture and political correctness 339 Self - representation and the politics of identity 341 Negotiating spectatorship 346 Select bibliography 362 Index 380 PLATES 6 7 8 9 10 11 Frontispiece Color Schemes xi ...
الصفحة xiv
... postmodern : Touki - Bouki 280 284 294 46 and 47 48 and 49 50 Afro - diasporic memory : Sankofa and Daughters of the Dust Anthropophagic critique and culinary cinema : How Tasty Was My Frenchman and King Solomon's Mines ( 1985 ) Border ...
... postmodern : Touki - Bouki 280 284 294 46 and 47 48 and 49 50 Afro - diasporic memory : Sankofa and Daughters of the Dust Anthropophagic critique and culinary cinema : How Tasty Was My Frenchman and King Solomon's Mines ( 1985 ) Border ...
المحتوى
INTRODUCTION | 1 |
FROM EUROCENTRISM TO POLYCENTRISM | 13 |
orag | 33 |
FORMATIONS OF COLONIALIST DISCOURSE | 55 |
12 | 81 |
45 | 92 |
THE IMPERIAL IMAGINARY | 100 |
Around the World in 80 Days and Simba | 106 |
35 | 218 |
ETHNICITIESINRELATION | 220 |
36 | 228 |
THE THIRD WORLDIST FILM | 248 |
Battle of Algiers | 255 |
41 | 266 |
42 | 276 |
ESTHETICS OF RESISTANCE | 292 |
2222 | 124 |
TROPES OF EMPIRE | 137 |
Western | 152 |
from Rudolph Valentino to Elvis | 162 |
333 | 171 |
STEREOTYPE REALISM AND THE STRUGGLE OVER | 178 |
History whitewashed in Mississippi Burning | 179 |
34 | 198 |
and 47 | 297 |
297 | 313 |
Homage by Assassination | 320 |
Introduction to the End of an Argument | 330 |
Select bibliography | 363 |
| 380 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
African African-American Algerian allegory Arab Battle of Algiers Battle of Chile become Black Brazil Brazilian British calls camera cannibalism characters cinema civilization colonial colonialist discourse Columbus conquest contemporary critical critique dialog diverse documentary dominant Egypt Egyptian empire esthetic ethnic Eurocentric Europe European evokes example Fanon fantasies female feminist film's filmmakers French Ganga Zumba gender global groups Gulf war harem hierarchies Hollywood Hollywood films hybridity identity ideological images imperial Indian indigenous Jewish Jews Kayapo land language Latin liberal London Macunaíma male metaphor multiculturalism narrative Native American neocolonial novel oppression orient Palestinian performers perspective play political popular culture portrayal portrayed positive postcolonial postmodern production protagonist race racial racism rape represent representation resistance role sense sexual Shohat slave slavery social speak spectator stereotypes story struggle syncretism texts Third Cinema Third World tradition trope University Press voice West Western White woman women York