...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is composed." It is curious that Hume wishing to represent Mind as...

...Locke's figure — imply a tabula rasa, he hastens to remark : " The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials of which it is composed." 1 Now it must be acknowledged that Hume has never been...

...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...notion of the place where these scenes are represented, or of the materials of which it is composed. "What then gives so great a propension to ascribe an identity...

...which succeed each other with an inconceivable rapidity, and are in a perpetual flux and movement 2.' ' They are the successive perceptions only, that constitute...of the place, where these scenes are represented, or of the materials, of which it is compos'd V Thus perish at once the individuality and identity of...

...which succeed each other with an inconceivable rapidity, and are in a perpetual flux and movement 2.' ' They are the successive perceptions only, that constitute...of the place, where these scenes are represented, or of the materials, of which it is compos'd V Thus perish at once the individuality and identity of...

...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...notion of the place where these scenes are represented, or of the materials of which it is composed. He then proceeds elaborately to argue that our notions...

...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...notion of the place where these scenes are represented, or of the materials of which it is composed. " What then gives so great a propension to ascribe an...

...have to imagine that simplicity and identity. " The comparison of the theatre," he continues, " must not mislead us. They are the successive perceptions only that constitute the mind." * III. But I always think when I read such remarks as these, that one is bound to go further and ask...

...of theatre where several perceptions successively make their appearance.' But this comparison must not mislead us. ' They are the successive perceptions...notion of the place where these scenes are represented, or of the materials of which it is composed.' The problem for Hume then in regard to personal, as it...

...propensity we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...notion of the place where these scenes are represented, or of the materials of which it is composed.'" Thus according to the creed of the unbeliever, there...