...propensity we may have to imagine that simplicity and identity. The comparison with the theatre must not mislead us. They are the successive perceptions...notion of the place where these scenes are represented, or of the materials of which it is composed. What then gives us so great a propensity to ascribe an...

...have to imagine simplicity and identity. The comparison of the theatre must not mislead us. They are successive perceptions only, that constitute the mind;...notion of the place where these scenes are represented, or of the materials, of which it is compos'd.1 Patient has major fixation on this statement, prohabty...

...comparison of tbe tbeatre must not mislead us. They are tbe successive perceptions only, tbat conststute tbe mind; nor have we the most distant notion of the place, where these scenes are represented, or of the materials, of which it is compos'd. (253 — final italics added) The metaphor of the actors...

...postures and situations." This is especially the case when Hume adds: "The comparison of the theater must not mislead us, They are the successive perceptions only, that constitute the mind" (Treatise, Book 1, sec. vi, p. 253). Sartre's position, however, is not a Humean idealism, one where...

...the result of bundling. Hume need not hold this view, however. 9. "The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented. .. ." (THN 253). Chapter 9 1. 'Moral evaluation' is, of course, my term and not Hume's. I use the term...

...kind of ontologica! conclusion Descartes is criticized as holding: "The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd." (Hume 1955, Book I, IV:V, 85). 64. Another issue related...

...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind [...]. (1965: 253) Hippolite Taine also made references to the »mind is theatre« metaphor as a descriptive...

...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd. What then gives us so great a propension to ascribe an...

...expressed about the metaphor, a caution that Hume had stated clearly: "The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd" (1739, 253). Derrida also warns us about the "naive metaphorics...

...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials of which it is compos'd. (Book I, Part IV, Section VI, p. 253) This mind is apparently...